Marc Chagall - Les Amoureux aux Fleurs Rouges (The Lovers with Red Flowers) Lithograph

This item is a framed color lithograph attributed to the style of Marc Chagall, likely a mid-to-late 20th-century print. The artwork depicts a signature Surrealist/Modernist scene featuring a celestial-like couple embracing in the upper right quadrant, hovering above a large, vibrant bouquet of red flowers in a green vase. The composition is set against a dreamy, ethereal background of blue and white washes suggesting a village under a moonlit or twilight sky. The piece is rendered in a soft, gestural style with a palette dominated by primary reds, deep blues, and leafy greens. It is housed in a contemporary gilded wood frame with a double-matted border (a wide white outer mat and a thin dark inner fillet). The artwork features a signature in the lower right-hand corner, which appears to be a facsimile or hand-pencil signature of Marc Chagall, and there is a faint numbering or notation in the lower left corner, typical of limited-edition prints. The condition appears fair to good; while the print colors remain relatively vibrant, there is some visible rippling or 'cockling' of the paper inside the frame, suggesting potential exposure to humidity or improper mounting. No significant staining or foxing is immediately visible through the glass, though the frame shows minor shelf wear on the gilding.

I have examined the digital representation of 'Les Amoureux aux Fleurs Rouges,' a color lithograph attributed to Marc Chagall. The piece exhibits the lyrical surrealism quintessential to Chagall’s oeuvre. Based on the signature and numbering, this appears to be a limited edition. The colors remain vibrant; however, I observed noticeable 'cockling' or rippling of the paper, indicating previous exposure to humidity or a lack of conservation-grade mounting. This condition issue slightly suppresses the potential market value. Chagall’s lithographs remain highly liquid in the 'Prints & Multiples' market. Recent auction results for authenticated Mourlot-printed editions of similar subjects range significantly; while signed, lifetime impressions can fetch five figures, late-period posthumous prints or those from less documented editions often trade in the low thousands. This piece is valued as a decorative mid-level multiple, assuming it is an authentic lithograph on Arches paper. Critically, a definitive determination of authenticity cannot be made via imagery alone. The signature appears consistent with Chagall's hand, but a 'facsimile' signature printed into the stone would drastically reduce the value to $200-$400. To finalize this appraisal, I would require an in-person physical inspection to verify the paper’s watermark, the presence of a deckled edge, and the specific ink saturation. Furthermore, original documentation of provenance or a catalogue raisonné entry (such as Cramer or Mourlot) is necessary to distinguish this from an after-copy. The presence of 'cockling' also necessitates an inspection for hidden foxing on the verso.