Framed Contemporary Serigraph of Iris Garden and Pond by June Harwood

This is a large-format contemporary fine art print, likely a serigraph or lithograph, dating to 1985 as indicated by the pencil signature. The composition features a stylized, minimalist horizontal landscape depicting a curved bank of purple irises and green foliage bordering a deep blue pond. The artwork is characterized by flat planes of color and crisp geometric lines, consistent with the Hard-Edge abstraction movement. The print is divided into four distinct panels or quadrants by thin vertical and horizontal lines, creating a subtle grid effect. It is executed on high-quality white archival paper and is hand-signed and dated in the lower right quadrant in graphite. The piece is professionally housed in a sleek, minimalist black metal frame with a wide white mat and an inner blue accent fillet that complements the tones of the water. The condition appears excellent with no visible foxing, fading, or moisture damage to the paper. The framing provides substantial protective glazing, although there is a slight reflection present in the photograph. This work exemplifies 1980s corporate and minimalist aesthetic, focusing on clean form and color harmony.

I have carefully examined the provided images of this large-format serigraph by June Harwood (1985). The work displays the crisp, clean registrations and flat, saturated pigments characteristic of Harwood’s late Hard-Edge period. The condition appears to be excellent; the paper lacks visible foxing, and the purple pigments—which are often prone to UV fading—remain vibrant. The professional framing with a color-coordinated inner fillet adds significant decorative value. Market demand for Harwood, a member of the 'California Hard-Edge' movement, has seen a steady resurgence. Comparable sales for her prints of this scale and era typically fall within the $700 to $1,500 range depending on the edition number and gallery provenance. Factors supporting the value include the signature's placement and the classic 1980s corporate minimalist aesthetic. However, there are limitations to this digital appraisal. I cannot verify the substrate's acidity levels or determine if the work is hinged properly or dry-mounted, which would negatively affect long-term value. Furthermore, while the signature appears consistent with known examples, full authentication requires a physical inspection of the ink's depth and the paper's watermark. To finalize this valuation, I would recommend reviewing a Certificate of Authenticity or original purchase receipt from the articulating gallery. A physical examination under UV light would also be necessary to confirm the absence of restoration or structural repairs.