AI Appraisal Estimate

This appears to be a dual-light (two-way) electric table lamp, stylistically consistent with late-Victorian 'Gone with the Wind' hurricane lamps, likely manufactured in the mid-to-late 20th century as a revival piece. The lamp features a hand-painted or decal-decorated milk glass body and matching shade, both of which exhibit a soft white opacity with an orange-toned internal glow when illuminated. The decoration consists of blue and white roses with green foliage, accented by thin blue horizontal pinstriping. The shade is a traditional globular chimney shape with a ruffled or crimped top rim, while the base sits on a cast metal foot with an ornate, scrolling acanthus leaf motif, finished in a dark antiqued brass or bronze tone. A glass chimney is visible protruding through the top of the shade. Notably, the user mentions this is a '2 way lamp', which is supported by the internal illumination visible in the lower glass font. The hardware includes a turn-style key switch with a decorative openwork handle. There are no maker's marks or signatures visible in the image to confirm a manufacturer such as Fenton or Quoizel, and the identification is based on stylistic characteristics common to the 1960s-1970s revival era for such lighting. The item appears to be in good functional condition with no visible cracks or significant chips noted in the glass.

Based on the provided imagery, I have examined this dual-light hurricane-style table lamp. The design is consistent with mid-to-late 20th-century revival pieces, often referred to as 'Gone with the Wind' style lighting. While the owner identifies this as a 2-way lamp, I can see the lower font is illuminated, which supports this hypothesis. The milk glass components feature rose decorations that appear consistent with decal applications or hand-painting common in the 1960s and 1970s. I cannot verify a specific manufacturer from these photos as no maker's mark is visible; however, the style is reminiscent of mass-produced revival pieces by companies like Quoizel or Fenton. The cast metal base appears to be a typical antiqued finish rather than solid bronze. This estimate assumes the glass is free of chips or hairline cracks, which I cannot fully confirm without a physical inspection. The market for mid-century Victorian revival lighting remains stable for decorative use, though value is largely driven by condition and the functionality of the internal 'night-light' feature. If this were discovered to be an earlier 19th-century oil-burning original later converted to electric, the value could increase significantly; conversely, if the glass shows modern mechanical printing rather than period-appropriate decoration, the value would likely sit at the lower end of the range. To confirm the origin and age, an expert should examine the internal wiring, the underside of the base for hidden marks, and the texture of the floral decorations to determine the application method. Provenance documentation or a verified manufacturer's label would also be necessary to refine this valuation.