
Edgar Leeteg 'Head of a Man' Oil on Black Velvet
This is a vintage portrait painting on black velvet, signed by the renowned artist Edgar Leeteg (1904–1953) with the inscription 'LEETEG TAHITI' visible in the lower left corner. The artwork depicts a middle-aged man with weathered facial features, white or silvering hair, and a somber expression, rendered in an earthy palette of browns and flesh tones contrasted against the deep black of the velvet substrate. The application of paint appears thin and skillfully blended to utilize the velvet's texture for shading and depth. The piece is housed in a simple rectangular black wooden frame with an off-white matting that shows some signs of age and yellowing. The painting itself exhibits remarkable craftsmanship typical of Leeteg, who is widely considered the 'father of American velvet painting.' Regarding condition, there is a visible vertical streak or reflection down the center of the glass which likely obscures some fine details, and the velvet surface shows some potential dust accumulation or minor fraying at the edges near the mat. The work appears to date from the mid-20th century, specifically the late 1930s or 1940s when Leeteg was active in Moorea, Tahiti. His signature style is evident in the realistic anatomical rendering and the dramatic chiaroscuro effect achieved through the interplay of oil pigment and light-absorbing fabric.
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Estimated Value
$4,000 - $6,500
Basic Information
Category
Fine Art - Paintings
Appraised On
March 31, 2026
Estimated Value
$4,000 - $6,500
Additional Details Provided By Owner
User Provided Information
Leeteg Tahitii
Item Description
This is a vintage portrait painting on black velvet, signed by the renowned artist Edgar Leeteg (1904–1953) with the inscription 'LEETEG TAHITI' visible in the lower left corner. The artwork depicts a middle-aged man with weathered facial features, white or silvering hair, and a somber expression, rendered in an earthy palette of browns and flesh tones contrasted against the deep black of the velvet substrate. The application of paint appears thin and skillfully blended to utilize the velvet's texture for shading and depth. The piece is housed in a simple rectangular black wooden frame with an off-white matting that shows some signs of age and yellowing. The painting itself exhibits remarkable craftsmanship typical of Leeteg, who is widely considered the 'father of American velvet painting.' Regarding condition, there is a visible vertical streak or reflection down the center of the glass which likely obscures some fine details, and the velvet surface shows some potential dust accumulation or minor fraying at the edges near the mat. The work appears to date from the mid-20th century, specifically the late 1930s or 1940s when Leeteg was active in Moorea, Tahiti. His signature style is evident in the realistic anatomical rendering and the dramatic chiaroscuro effect achieved through the interplay of oil pigment and light-absorbing fabric.
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