Print signed 'Anna Brown Ehlers'

This artwork is presented as a print on heavy white paper, set against a black backing or border. The central image depicts a stylized Northwest Coast Indigenous design, specifically resembling a ceremonial blanket or textile with traditional formline motifs, prominent eye designs, and a lower white fringe element. The color palette consists primarily of black, bright yellow, soft blue, and white. Across the bottom margin, there are handwritten inscriptions: at the lower left, a word that appears to read 'Eagle'; in the lower center, an edition number reading '222/375'; and at the lower right, a signature reading 'Anna Brown Ehlers'. Additionally, a duplicate signature reading 'Anna Brown Ehlers' is visible just below the lower right corner on the black background. The paper shows minor signs of handling along the edges and slight toning, which is consistent with age or storage. The attribution in the name rests purely on the observation of the legible signatures and edition markings visible in the image. The style is characteristic of Northwest Coast printmaking traditions, though the authenticity of the print and the signature remain unverified without physical inspection and provenance research.

Based on what I can see in the photograph, this artwork is a print on heavy white paper featuring a stylized Northwest Coast Indigenous design with traditional formline motifs. The lower margin bears handwritten inscriptions including the word 'Eagle', an edition number reading '222/375', and a signature reading 'Anna Brown Ehlers'. I cannot verify from a photo whether the signature is an autograph or whether the print is an authentic work by the named printmaker, as visible markings can be subject to interpretation and physical inspection is required to determine the medium and printing technique. Assuming the attribution is correct and this is a limited edition print by the artist, works of this type and scale typically trade in the $300-500 range within the secondary contemporary Northwest Coast art market, driven by collector interest in regional formline design. However, if physical inspection reveals this piece to be a modern reproduction, digital copy, or an unauthorized replica rather than a legitimate print from the stated edition, the value would decrease significantly to a nominal decorative range of $50-100. To fully establish the nature and market standing of this piece, one would need an in-person physical examination by a qualified paper conservator or Indigenous art specialist, alongside detailed provenance research to document its acquisition history.