
Compression by César Baldaccini (1971)
This artwork is a classic 'Compression' sculpture by the renowned French artist César Baldaccini, better known simply as César. Created in 1971, this particular piece is identified as part of a limited edition of only 10 copies. The work features various metal components, likely industrial or consumer scrap, that have been subjected to hydraulic pressure to create a dense, rectangular block of crushed material. The color palette is dominated by vibrant reds and oranges mixed with metallic greys, suggesting the use of painted sheet metal or discarded automotive parts. The sculpture exhibits a rugged, textured surface where folds, creases, and abrasions from the compression process are prominent. The piece appears to be encased in a custom plexiglass vitrine or deep box frame for display and protection. The condition shows a natural patina associated with the materials used, which is intentional to the 'Nouveau Réalisme' movement. Signature and numbering should be present on the base or rear of the compression block, typical of César's authenticated multiples from this period. The craftsmanship reflects the artist's radical approach to found objects, transforming industrial waste into a significant form of 20th-century plastic art through sheer mechanical force.
AI-Generated Appraisal Disclaimer
Estimated Value
$45,000 - $65,000
Basic Information
Category
Contemporary Sculpture / Fine Art
Appraised On
February 27, 2026
Estimated Value
$45,000 - $65,000
Additional Details Provided By Owner
User Provided Information
compression de César. 1971. 10 exemplaire
Item Description
This artwork is a classic 'Compression' sculpture by the renowned French artist César Baldaccini, better known simply as César. Created in 1971, this particular piece is identified as part of a limited edition of only 10 copies. The work features various metal components, likely industrial or consumer scrap, that have been subjected to hydraulic pressure to create a dense, rectangular block of crushed material. The color palette is dominated by vibrant reds and oranges mixed with metallic greys, suggesting the use of painted sheet metal or discarded automotive parts. The sculpture exhibits a rugged, textured surface where folds, creases, and abrasions from the compression process are prominent. The piece appears to be encased in a custom plexiglass vitrine or deep box frame for display and protection. The condition shows a natural patina associated with the materials used, which is intentional to the 'Nouveau Réalisme' movement. Signature and numbering should be present on the base or rear of the compression block, typical of César's authenticated multiples from this period. The craftsmanship reflects the artist's radical approach to found objects, transforming industrial waste into a significant form of 20th-century plastic art through sheer mechanical force.
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