Compression by César Baldaccini (1971)

This artwork is a classic 'Compression' sculpture by the renowned French artist César Baldaccini, better known simply as César. Created in 1971, this particular piece is identified as part of a limited edition of only 10 copies. The work features various metal components, likely industrial or consumer scrap, that have been subjected to hydraulic pressure to create a dense, rectangular block of crushed material. The color palette is dominated by vibrant reds and oranges mixed with metallic greys, suggesting the use of painted sheet metal or discarded automotive parts. The sculpture exhibits a rugged, textured surface where folds, creases, and abrasions from the compression process are prominent. The piece appears to be encased in a custom plexiglass vitrine or deep box frame for display and protection. The condition shows a natural patina associated with the materials used, which is intentional to the 'Nouveau Réalisme' movement. Signature and numbering should be present on the base or rear of the compression block, typical of César's authenticated multiples from this period. The craftsmanship reflects the artist's radical approach to found objects, transforming industrial waste into a significant form of 20th-century plastic art through sheer mechanical force.

I have virtually examined this 1971 'Compression' by César Baldaccini. This specific series, produced in a limited edition of 10, represents the artist's peak 'Nouveau Réalisme' period. The vibrant polychrome surface, likely sourced from automotive scrap, remains saturated and lacks the significant oxidation often seen in ill-maintained works from this era. The structural integrity of the compression block appears sound, with the deep box frame providing essential preservation. My valuation is based on recent auction results for mid-sized 1970s compressions, which have seen a resurgence in the European and North American markets due to the artist's foundational role in post-war sculpture. The rarity of an edition of 10, as opposed to his later, more mass-produced editions, adds a significant premium. However, visual inspection alone cannot confirm the signature's authenticity or the exact weight and metal composition. For a definitive authentication, I would require an inspection of the 'Archives César' certificate of authenticity, physical verification of the incised signature/numbering on the base, and a thorough provenance trace from the 1971 acquisition point. Potential buyers should also check for internal corrosion that can sometimes occur in humid environments, which is not visible through photographs.