AI identification & appraisal estimate

Royal Doulton Porcelain Figurine 'Fragrance' (White Edition)

Submitted photo of Royal Doulton Porcelain Figurine 'Fragrance' (White Edition)
Photo submitted by the user — not generated by AI

User's notes

Perfect condition

These notes were written by the person who submitted this item. Appraiser.AI has not verified them, and the AI's identification and estimate may rely on them.

AI Estimated Value

Not an official valuation

$40.00 - $65.00

AI estimate as of March 31, 2026 · verify with a professional before acting

AI-Generated · Verify before acting

Everything on this page is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Item Analysis

This is a vintage fine bone china figurine, identified as 'Fragrance' (HN 2334), a classic design by renowned artist Margaret 'Peggy' Davies for Royal Doulton. Standing approximately 7.5 to 8 inches tall, the figure depicts a young woman in an elegant, mid-19th-century style ball gown. The figurine is crafted with a high-gloss glazed finish in a predominantly monochromatic white palette, highlighting the delicate folds and voluminous movement of the skirt. The subject features hand-painted facial details including soft brown hair, subtle facial features, and a small white flower tucked behind her ear. The craftsmanship exhibits the high quality characteristic of English porcelain manufacture from the mid-to-late 20th century, likely dating between 1966 and the 1990s. The garment features off-the-shoulder sleeves and a tiered, flowing hemline that creates a sense of fluid motion. Per the provided context, the item is in perfect condition, exhibiting no visible chips, cracks, crazing, or loss of pigment. The smooth, lustrous surface indicates a well-preserved glaze without signs of environmental wear or chemical degradation. The underside likely bears the Royal Doulton lion and crown backstamp along with the model's name and HN production number.

AI Appraisal Report

I have virtually examined this Royal Doulton 'Fragrance' figurine (HN 2334). This specific model, designed by Peggy Davies and introduced in 1966, represents one of the most prolific and recognizable examples of the Royal Doulton 'Pretty Ladies' series. The monochromatic white palette is distinctive, emphasizing the sculptural fluidity of the Victorian ball gown without the distraction of polychrome glazes. Upon visual inspection, the item appears to be in 'Mint' or 'Perfect' condition. I observe no structural anomalies, such as firing cracks in the deep porcelain folds, nor do I see evidence of crazing—a common issue in older bone china. The gloss glaze remains uniform and lustrous, and the hand-painted facial features are crisp. However, current market conditions for standard-production Royal Doulton figurines have shifted significantly. The market is currently saturated with late 20th-century models, leading to a decline in secondary market value compared to the late 1990s peak. While 'Fragrance' is an iconic design, its high production volume makes it readily available. The white variant is less common than the blue (HN 2234) but does not carry a significant rarity premium. Comparable recent sales at auction and through secondary dealers consistently fall within the $40 to $65 range. Limitations: This appraisal is based solely on digital images and descriptions. I cannot physically verify the presence of 'seconds' marks (often indicated by a scratch through the backstamp) or feel for professional restorations. Full authentication requires an in-person inspection under UV light to detect overpainting and a physical audit of the crown/lion backstamp to confirm the production era.

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