The Algoma Story (1955) by H. Johnson

The item is a framed painting or artwork, likely a gouache or watercolor on paper or board, depicting a surrealistic landscape with symbolic elements. The color palette is dominated by dark greens, blues, and grays, suggesting a nocturnal or twilight setting. In the upper left, there is a vibrant green and yellow aurora borealis, contrasting with the darker sky. A prominent gnarled, root-like or tree-like structure, rendered in earthy browns and grays, rises from the lower left, seemingly supporting a modern, rectangular, multi-paned glass structure, possibly a building or a symbolic representation of progress or artificiality. This building appears to glow from within, with a silvery, reflective surface. In the upper right quadrant, an atomic model (stylized representation of an atom with electrons orbiting a nucleus) is depicted floating in the air, with white, orange, and green orbital paths. The foreground features large, rounded rocky forms in shades of gray, suggesting a rugged natural environment. A body of water, possibly a lake or river, in deep blues and greens, is visible in the middle ground, separating the foreground rocks from distant dark mountains or hills. The work is housed within a frame, visible at the bottom, which consists of a wide, off-white or beige mat board, bordered by a thin, dark brown or black inner fillet, and a metallic gold-toned outer frame. Attached to the mat board at the bottom center is a rectangular brass or gold-toned plaque with an embossed or etched design, which is partially obscured by glare but the inscription 'The Algoma story 1955 H Johnson' has been provided. The visibility of the brushed strokes and the texture suggest it is not a print. The condition appears fair, with some minor scuffs on the frame visible at the bottom. The glass covering the artwork reflects light significantly, indicating its presence and possibly affecting the true colors of the artwork. The style appears to bridge realism with symbolic or abstract elements, potentially indicative of mid-20th-century artistic trends, particularly given the '1955' date.