
Framed Engraving of Le Martyre de Saint Sébastien (The Martyrdom of Saint Sebastian)
This item is an antique framed engraving, likely a 19th-century reproduction of a neoclassical or academic painting depicting the mourning of Saint Sebastian by angels. The artwork is printed on heavy paper that shows significant signs of age, including widespread foxing, moisture staining in the margins, and some discoloration across the image surface. The scene features highly stylized, muscular angelic figures in a dramatic compositions, using chiaroscuro to create depth. Below the main image, there are handwritten or plate-printed inscriptions in French, including a signature and the date '24 Mai 1893' or similar. The piece is set within a large, modern-style matted frame. The frame itself is constructed from wood or composite with a gold-toned Ornate finish, featuring a repeating twisted-rope or laurel leaf pattern along the inner and outer borders. The dark gray mat provides a stark contrast but does not appear to be archival quality. This item exemplifies 19th-century religious printmaking and French academic art styles of the Belle Époque era. While the frame is in relatively good condition, the print requires professional conservation to address the biological staining and paper degradation to preserve its long-term integrity.
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Estimated Value
$250 - $450
Basic Information
Category
Antique Prints and Fine Art
Appraised On
March 3, 2026
Estimated Value
$250 - $450
Item Description
This item is an antique framed engraving, likely a 19th-century reproduction of a neoclassical or academic painting depicting the mourning of Saint Sebastian by angels. The artwork is printed on heavy paper that shows significant signs of age, including widespread foxing, moisture staining in the margins, and some discoloration across the image surface. The scene features highly stylized, muscular angelic figures in a dramatic compositions, using chiaroscuro to create depth. Below the main image, there are handwritten or plate-printed inscriptions in French, including a signature and the date '24 Mai 1893' or similar. The piece is set within a large, modern-style matted frame. The frame itself is constructed from wood or composite with a gold-toned Ornate finish, featuring a repeating twisted-rope or laurel leaf pattern along the inner and outer borders. The dark gray mat provides a stark contrast but does not appear to be archival quality. This item exemplifies 19th-century religious printmaking and French academic art styles of the Belle Époque era. While the frame is in relatively good condition, the print requires professional conservation to address the biological staining and paper degradation to preserve its long-term integrity.
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