Abstract Lithograph by André Lanskoy

This is a mid-century modern abstract lithograph on paper attributed to the Russian-French artist André Lanskoy, a prominent figure in the School of Paris and the Tachisme movement. The composition is characterized by Lanskoy's signature style of 'abstract lyricism,' featuring an interlocking arrangement of geometric and biomorphic shapes in a diverse palette of muted grays, vibrant purples, ochres, and highlights of red. The work utilizes rhythmic line work and overlapping planes to create a sense of movement and depth. The piece appears to be a professionally printed lithograph, likely dating from the mid-1950s to the 1970s. It is displayed within a modern gray or silver-toned frame with a white bevelled mat. The visible condition shows the artwork is under glass, which has preserved the colors well, though there is some light reflection on the surface. The frame exhibits minor surface wear consistent with age, but no major structural damage or staining is visible in the print area. Such lithographs often carry a pencil signature and edition number in the lower margin, which are partially obscured by the matting in this view. The craftsmanship reflects the high-quality printmaking standards of post-war Parisian ateliers.

I have examined the digital representation of the abstract lithograph attributed to André Lanskoy. The work displays the hallmarks of Lanskoy’s post-war 'Lyrical Abstraction' period, particularly his mastery of interlocking planes and rhythmic color application. The palette is consistent with his mid-century Parisian atelier productions. Visually, the print appears to be in good condition with no evidence of foxing, toning, or moisture damage, although the glass prevents a full inspection of the paper texture and margin edges where pencil signatures and edition numbering typically reside. The French market remains the primary driver for Lanskoy's multiples, with current auction trends showing steady demand for his color-rich geometric compositions. This piece is valued as a decorative mid-century multiple; however, several factors could fluctuate this valuation. The current matting obscures the signature and edition number, which are critical for establishing whether this is a limited edition pull or a later exhibition poster. Without physical access, I cannot verify paper weight, watermarks (such as Arches or Rives), or the specific printing method to distinguish it from a high-quality offset lithograph. To finalize this appraisal, an in-person examination is required to remove the artwork from its frame to inspect the verso for stamps and confirm the presence of a hand-signed graphite signature. Provenance documentation or a gallery label from a known Parisian dealer would significantly enhance the item's marketability and firmly place it at the higher end of the estimated range.