Wildlife landscape print in the manner of Ted Raftery

This item is a horizontal art print depicting a vast Western landscape featuring two bison (one adult and one calf) in the foreground grazing on a golden-brown prairie. The composition includes a winding river to the left and a dramatic sky filled with large, white cumulus clouds over a flat horizon. The artwork bears a signature in the lower-left margin that appears consistent with 'Ted Raftery' and a handwritten edition number in the lower-right margin that reads '312/500'. While the owner identifies this as a work by Ted Raftery, this attribution is a hypothesis based on visible markings and is subject to in-person verification. The print appears to be on heavy paper stock with wide white margins. Stylistically, the piece reflects late 20th-century American realism, typical of sporting and wildlife art. Overall condition appears good, with no obvious fading, tears, or stains visible in the image, though some subtle waving of the paper is evident along the top edge, suggesting it is currently unframed. The subtle color transitions in the sky and the detailed rendering of the bison's coats indicate a high-quality lithographic or giclée reproduction process. Such prints are often produced in limited editions for the wildlife art market.

Based on the provided information and visual description, this item is a limited edition print (number 312/500) depicting a Western bison scene. The piece bears a signature consistent with Ted Raftery, a known wildlife artist. I am treating this attribution as a hypothesis rather than a fact, as photographic evidence alone cannot confirm the medium or the legitimacy of the signature. The appraisal assumes the print is a period-appropriate reproduction associated with Raftery's body of work from the late 20th century. While the image shows good color retention and the paper appears to be a heavy stock typical of quality lithography, I cannot verify the presence of acid-free materials or the exact printing method (such as offset lithograph vs. giclée) without a physical inspection. The observed waving along the top edge suggests the print has been stored unframed, which can affect marketability if creases have formed. The market for Western wildlife art remains steady, particularly for established names in the sporting art genre; however, value is heavily dependent on the edition size and the specific artist's current secondary market demand. In-person examination by a specialist would be required to rule out modern digital reprints and to examine the margins for foxing or structural damage. If this item were found to be a posthumous reproduction or a decor-quality copy rather than a limited edition authorized by the artist, the value would likely fall below $50. Conversely, a confirmed signature and pristine condition would place it at the higher end of the stated $150–$300 range.