Cast metal figural doorstops or statues in the Black Americana style

A pair of painted cast metal figurines, likely doorstops or decorative statues, depicting stylized Black figures. One figure represents a woman in a red-and-white polka dot headscarf and a white apron over a red dress. The second represents a man in a red jacket, yellow trousers, and a white shirt, holding a black top hat. The items appear to be made of heavy cast iron or a similar metal, with a textured, pebbled surface finish under multiple layers of paint. The paint palette is primary, consisting of bright red, yellow, black, and white. The figures are stylistically consistent with mid-to-late 20th-century reproductions of early 20th-century 'Black Americana' memorabilia. Visible condition issues include significant paint chipping, particularly on the man's hat and base, a thick, glossy overpaint that obscures fine casting details, and general surface wear. No maker's marks or foundry stamps are visible in the image, meaning the identification is based solely on stylistic features and subject matter. Because these designs were widely mass-produced and replicated, their specific age and origin are unverified without physical inspection.

Based on my examination of the provided images, I have evaluated this pair of painted cast metal figures. From what I can see, these items appear to be mass-produced decorative objects in the 'Black Americana' style. The pebbled surface texture and thick, glossy paint application suggest these may be mid-to-late 20th-century reproductions rather than early 20th-century foundry castings. I cannot verify the specific metallic composition or the age of the paint layers from a photo alone; a physical inspection would be required to determine if the casting is iron or a lighter alloy. The valuation is based on the current secondary market for stylized folk-art reproductions. The condition, which includes visible paint loss and significant chipping on the man's hat and the bases, negatively impacts the value. Because these designs were widely replicated by various manufacturers without foundry marks, they are typically valued as decorative accessories rather than rare collectibles. In the current market, items of this type generally see modest demand as nostalgia pieces. My estimate assumes these are modern-era reproductions. If an in-person examination or verifiable provenance were to suggest an earlier manufacturing date from a noted foundry, the value could increase slightly, perhaps to the $150 range. Conversely, if the figures are found to be very recent imports, the value would likely fall toward the lower end of my estimate. To confirm the origin, one would need to inspect the underside for specific grinding marks or traces of older 'cold paint' techniques which are not discernible here.