Wildlife art print in the style of Ray Harm

This is a framed wildlife art print depicting a family of red foxes, including one adult and six kits. The work features a naturalistic, illustrative style with fine detail in the fur texture and facial expressions of the animals. The print bears a printed signature in the lower left reading 'RAY HARM' with an unverified handwritten-style signature underneath it. Centered at the bottom, the title is printed as 'Red Fox' followed by the scientific name '(Vulpes fulva)'. A small copyright line in the bottom left indicates 'COPR. THE FRAME HOUSE GALLERY, INC., 1973'. The artwork appears to be a offset lithograph or similar mechanical reproduction on paper, housed within a decorative dark wood-tone frame with gilded inner edges and a multi-layered gray and beige mat. While consistent with wildlife prints from the late 20th century, the authenticity of the signature and the print's edition status cannot be determined without physical inspection. The user identifies this as being by Ray Harm, which is consistent with the visible text, though remains unverified. Condition appears good with some minor reflections on the glass and typical aging of the paper and matting.

Based on the provided image and description, I have examined this framed wildlife print of a 'Red Fox' family. The item bears a printed signature and a secondary handwritten-style signature consistent with the work of Ray Harm (per user submission). The print is dated 1973 and indicates it was produced by The Frame House Gallery, Inc. Based on what I can see, this appears to be an offset lithograph reproduction, which was a common commercial format for wildlife art in the late 20th century. I cannot verify from a photo whether the secondary signature is hand-signed or part of the mechanical printing process, nor can I confirm the specific edition status. My appraisal assumes the attribution to Ray Harm is correct. The estimated value of $40-$125 reflects the general market interest for framed 1970s wildlife lithographs in good decorative condition. While Ray Harm was a significant figure in the wildlife art movement, mass-produced prints from this era typically maintain modest values unless they are rare, limited, and hand-signed editions. The framing appears professionally done, which adds to the primary value as a decorative object. If this were determined to be a later digital reproduction or if the signature is merely a printed facsimile, the value would likely drop to the lower end of the range ($20-$40). To reach a more specific valuation, an in-person physical inspection is required to examine the paper grain and ink under magnification to confirm the printing method. Verification of the signature's medium (ink vs. toner) and documentation of provenance would also be necessary to confirm it as a hand-signed collectible edition rather than a standard commercial print.