Victorian Renaissance Revival Marble-Top Parlor Table
Antique Furniture

Victorian Renaissance Revival Marble-Top Parlor Table

This is a fine example of a mid-to-late 19th-century Victorian parlor table, specifically rendered in the Renaissance Revival style, circa 1870-1880. The table features a heavy, thick white Carrara marble top with a distinctive 'turtle-top' or notched-corner rectangular shape and a beveled edge. The marble displays natural grey veining throughout. The base is constructed from solid walnut with some possible burl wood veneers used as decorative accents on the chamfered corners of the apron. The central pedestal is highly architectural, featuring deep carvings, incised lines, and turned elements typical of the Eastlake and Renaissance Revival influence. The four-point pedestal base terminates in splayed legs with scrolled feet, which appear to retain their original small white porcelain or brass casters. The wood possesses a rich, dark patina. Regarding condition, the marble appears intact without major visible cracks or deep staining, though some minor edge chips are common for the age. The wood base shows consistent wear and some possible minor scuffing around the feet. The apron features carved medallions and geometric motifs that signify high-quality craftsmanship from a master cabinetmaker of the era, such as those produced by firms like Kimbel & Cabus or Thomas Brooks.

Estimated Value

$1,200 - $1,800 USD

Basic Information

Category

Antique Furniture

Appraised On

March 5, 2026

Estimated Value

$1,200 - $1,800 USD

Item Description

This is a fine example of a mid-to-late 19th-century Victorian parlor table, specifically rendered in the Renaissance Revival style, circa 1870-1880. The table features a heavy, thick white Carrara marble top with a distinctive 'turtle-top' or notched-corner rectangular shape and a beveled edge. The marble displays natural grey veining throughout. The base is constructed from solid walnut with some possible burl wood veneers used as decorative accents on the chamfered corners of the apron. The central pedestal is highly architectural, featuring deep carvings, incised lines, and turned elements typical of the Eastlake and Renaissance Revival influence. The four-point pedestal base terminates in splayed legs with scrolled feet, which appear to retain their original small white porcelain or brass casters. The wood possesses a rich, dark patina. Regarding condition, the marble appears intact without major visible cracks or deep staining, though some minor edge chips are common for the age. The wood base shows consistent wear and some possible minor scuffing around the feet. The apron features carved medallions and geometric motifs that signify high-quality craftsmanship from a master cabinetmaker of the era, such as those produced by firms like Kimbel & Cabus or Thomas Brooks.

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