Noguchi Style Coffee Table
This is a Mid-Century Modern coffee table in the style of Isamu Noguchi. The piece features a distinct biomorphic design consisting of a thick, heavy-gauge plate glass top with rounded, triangular edges, resting on a sculptural support system. The base is constructed from two identical organic wooden elements, typically made of walnut or cherry, which are interlocked to form a self-supporting tripod structure. The wood exhibits a warm, medium-brown finish with visible grain patterns and smooth, curved lines characteristic of organic modernism. Measuring approximately 50 inches in length and 36 inches in width, the table showcases a balance between industrial materials and natural forms. The condition appears sound, with the glass maintaining high clarity and the wood showing no immediate signs of structural failure or deep gouges, although minor surface scuffs on the glass are common for this type of functional art. While no signature is visible in the photograph, the quality of the glass thickness and the joinery of the wood base suggest it is an well-crafted piece or high-quality reproduction of the 1948 Herman Miller design. The minimalist aesthetic and sculptural geometry make it a focal point of the interior space.
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Estimated Value
$1,200 - $1,800
Basic Information
Category
Furniture
Appraised On
January 11, 2026
Estimated Value
$1,200 - $1,800
Item Description
This is a Mid-Century Modern coffee table in the style of Isamu Noguchi. The piece features a distinct biomorphic design consisting of a thick, heavy-gauge plate glass top with rounded, triangular edges, resting on a sculptural support system. The base is constructed from two identical organic wooden elements, typically made of walnut or cherry, which are interlocked to form a self-supporting tripod structure. The wood exhibits a warm, medium-brown finish with visible grain patterns and smooth, curved lines characteristic of organic modernism. Measuring approximately 50 inches in length and 36 inches in width, the table showcases a balance between industrial materials and natural forms. The condition appears sound, with the glass maintaining high clarity and the wood showing no immediate signs of structural failure or deep gouges, although minor surface scuffs on the glass are common for this type of functional art. While no signature is visible in the photograph, the quality of the glass thickness and the joinery of the wood base suggest it is an well-crafted piece or high-quality reproduction of the 1948 Herman Miller design. The minimalist aesthetic and sculptural geometry make it a focal point of the interior space.
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