AI identification & appraisal estimate

Vintage Persian Silver Filigree and Hand-Painted Enamel Jewelry Suite

Submitted photo of Vintage Persian Silver Filigree and Hand-Painted Enamel Jewelry Suite
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User's notes

Persian jewellery

These notes were written by the person who submitted this item. Appraiser.AI has not verified them, and the AI's identification and estimate may rely on them.

AI Estimated Value

Not an official valuation

$450 - $650

AI estimate as of February 16, 2026 · verify with a professional before acting

AI-Generated · Verify before acting

Everything on this page is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

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AI Item Analysis

This exquisite three-piece jewelry suite comprises a bib-style necklace, a matching link bracelet, and a central brooch or focal pendant. The set is characteristic of mid-20th-century Persian (Iranian) craftsmanship, likely originating from Isfahan, a city renowned for its silver filigree. Each piece is meticulously constructed from fine silver wirework (likely .800 or .925 purity) using traditional filigree techniques to create intricate, lace-like floral and scrolling patterns. The focal points of the jewelry are hand-painted miniature plaques, likely enamel on shell or bone, featuring iconic Persian motifs such as river scenes with dhows and architectural landmarks in a monochromatic palette of black and cream. The necklace features a central spade-shaped drop flanked by teardrop side panels. The bracelet consists of elongated navette links joined by a central oval medallion. Overall condition appears good, showing a natural dark metallic patina consistent with age, particularly in the recessed areas of the wirework. There are no obvious signs of broken filigree or missing paint, though the necklace chain may require minor cleaning. The inclusion of the original tag suggests these may have been souvenir items of high quality, intended for the export or tourist market during the Pahlavi dynasty era.

AI Appraisal Report

I have carefully examined the high-resolution images of this Persian silver filigree and hand-painted enamel jewelry suite. The craftsmanship is consistent with mid-20th-century production from Isfahan, Iran, likely dating between 1940 and 1970. The use of 'ghalam-zani' style miniature painting on bone or shell, depicting classical river and architectural scenes, is a hallmark of the Pahlavi-era souvenir market. The filigree work appears intact, exhibiting the correct fine-gauge wire tension expected of genuine Persian silver, rather than lower-quality cast imitations. The market for Iranian silver has remained steady, particularly for complete, undamaged suites. While individual pendants are common, finding a bib necklace, matching link bracelet, and focal brooch together significantly enhances the value for collectors. Comparable sets in .800 silver have recently realized between $400 and $700 at regional estates and specialized ethnographic auctions. The presence of the original tag is an excellent provenance marker, suggesting the items were kept as a preserved collection rather than worn heavily. Factors impacting value include the natural patina, which I recommend leaving intact as collectors prefer original surfaces. However, please note that from digital images alone, I cannot verify the exact silver purity or the presence of hallmarks (typically located on the clasps or reverse of the central drop). A physical inspection would be required to perform a nitric acid test or XRF analysis to confirm silver content (.875 vs .925). Furthermore, magnification is necessary to ensure no 'crazing' or hairline cracks exist in the enamel/bone plaques. A full authentication would also require checking the articulation of the joints for any lead-solder repairs that might diminish the value.

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