
Mixed-Metal and Driftwood Wall Sculpture
This is a large-scale, horizontal wall sculpture featuring a botanical motif of maple leaves. The piece is constructed from mixed metals, primarily brass and copper, which have been hand-cut and layered to create a sense of depth and organic volume. The leaves exhibit various finishes, including polished gold-toned brass and heat-patinated copper that displays hues of red, orange, and purple. A significant feature is the foundation of the piece, which appears to be a large, weathered section of natural driftwood or grapevine, providing a rustic, earthy anchor for the metallic foliage. The leaves are attached via a network of thin iron or steel wire stems that allow for a degree of flexibility and three-dimensional projection. Based on the style and construction, this piece likely dates from the late 20th century, specifically the 1970s or 1980s, evocative of the brutalist and nature-inspired metalwork popularized by artists like Curtis Jere. The craftsmanship is evident in the detailed serrated edges and embossed veining on each individual leaf. The condition appears excellent with a natural patina that enhances its character; there are no signs of significant corrosion or broken welds visible from this angle. The overall scale is substantial, likely spanning four to five feet in width, making it a prominent architectural accent.
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Estimated Value
$1,200 - $1,800
Basic Information
Category
Fine Art - Metal Wall Sculpture
Appraised On
May 7, 2026
Estimated Value
$1,200 - $1,800
Item Description
This is a large-scale, horizontal wall sculpture featuring a botanical motif of maple leaves. The piece is constructed from mixed metals, primarily brass and copper, which have been hand-cut and layered to create a sense of depth and organic volume. The leaves exhibit various finishes, including polished gold-toned brass and heat-patinated copper that displays hues of red, orange, and purple. A significant feature is the foundation of the piece, which appears to be a large, weathered section of natural driftwood or grapevine, providing a rustic, earthy anchor for the metallic foliage. The leaves are attached via a network of thin iron or steel wire stems that allow for a degree of flexibility and three-dimensional projection. Based on the style and construction, this piece likely dates from the late 20th century, specifically the 1970s or 1980s, evocative of the brutalist and nature-inspired metalwork popularized by artists like Curtis Jere. The craftsmanship is evident in the detailed serrated edges and embossed veining on each individual leaf. The condition appears excellent with a natural patina that enhances its character; there are no signs of significant corrosion or broken welds visible from this angle. The overall scale is substantial, likely spanning four to five feet in width, making it a prominent architectural accent.
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