
Framed Aquatint Print: 'South Sea Whale Fishery'
This is a matted and framed print titled 'South Sea Whale Fishery,' depicting a 19th-century maritime whaling scene. The artwork shows a large whale breaching in the foreground amidst turbulent, white-capped waves, while a small rowboat filled with whalers attempts to harvest it. In the background, a large masted ship emits a plume of dark smoke, indicating the processing of blubber. The color palette is dominated by muted earth tones, greys, and pale blues, characteristic of early to mid-19th century aquatint or lithographic styles. The print features a clean, wide white border containing the capitalized title text at the bottom. It is professionally mounted within a double mat—a thin red inner border and a wider dark slate-grey outer mat. The frame is a modern or contemporary wood-effect resin or stained wood with a metallic sheen and vertical textured striping. The glass appears to have a slight reflective sheen, typical of standard framing glass. While the original engraving by Thomas Sutherland (after paintings by artists like William John Huggins) dates to the 1820s or 1830s, the crispness of the letterforms and the condition of the paper suggests this is a later 20th-century reproduction or a restrike. The condition appears excellent with no visible foxing, yellowing, or paper tears, though some glare is visible on the glass.
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Estimated Value
$100 - $200
Basic Information
Category
Maritime Art & Prints
Appraised On
April 12, 2026
Estimated Value
$100 - $200
Additional Details Provided By Owner
User Provided Information
South Sea Whale Fishery
Item Description
This is a matted and framed print titled 'South Sea Whale Fishery,' depicting a 19th-century maritime whaling scene. The artwork shows a large whale breaching in the foreground amidst turbulent, white-capped waves, while a small rowboat filled with whalers attempts to harvest it. In the background, a large masted ship emits a plume of dark smoke, indicating the processing of blubber. The color palette is dominated by muted earth tones, greys, and pale blues, characteristic of early to mid-19th century aquatint or lithographic styles. The print features a clean, wide white border containing the capitalized title text at the bottom. It is professionally mounted within a double mat—a thin red inner border and a wider dark slate-grey outer mat. The frame is a modern or contemporary wood-effect resin or stained wood with a metallic sheen and vertical textured striping. The glass appears to have a slight reflective sheen, typical of standard framing glass. While the original engraving by Thomas Sutherland (after paintings by artists like William John Huggins) dates to the 1820s or 1830s, the crispness of the letterforms and the condition of the paper suggests this is a later 20th-century reproduction or a restrike. The condition appears excellent with no visible foxing, yellowing, or paper tears, though some glare is visible on the glass.
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