Limited Edition Lithograph by Thomas McKnight

This is a limited edition serigraph or lithograph by the American artist Thomas McKnight, titled 'Red Sweater' (or similar motif belonging to his interior/figurative series). The artwork features a stylized woman viewed from behind, wearing a vibrant orange and red patterned sweater. She is positioned against a moody, dark purple background, with a lighter lavender lower register. The piece is executed on heavy paper with a deckled (torn) edge, floating within a white mat. A discernible signature is located in the bottom left corner, followed by the date '1987', and an edition number '113/200' is visible in the bottom right corner. The craftsmanship displays McKnight’s characteristic clean lines and sophisticated use of color gradients typical of the late 20th-century contemporary style. The art is housed in a modern gold-toned wood or metal frame with glazing. The condition appears to be excellent with no visible foxing, fading, or moisture damage to the paper. The frame shows minor surface handling but remains structurally sound. The overall aesthetic marks it as a piece of late 1980s high-end decorative art, often associated with sophisticated urban interiors of that period.

I have conducted a visual appraisal of this 1987 Thomas McKnight limited edition serigraph, numbered 113/200. Based on the provided imagery, the work displays the saturated color palette and precise line work characteristic of McKnight’s most sought-after late-1980s period. The condition appears exemplary; I note the absence of common issues such as perimeter 'foxing,' light-induced fading of the fugitive red pigments, or 'waving' of the paper, suggesting it has been housed in a climate-controlled environment with adequate glazing. The deckled edge and floating mount indicate a high-quality presentation that preserves the integrity of the paper. The current market for McKnight remains stable within the secondary 'decorative fine art' sector. The 'Red Sweater' motif is particularly desirable as it bridges the gap between his popular interior landscapes and his more intimate figurative studies. Comparable sales for editions of 200 from this era typically hammer between $900 and $1,500, with retail gallery valuations reaching higher. The presence of both a pencil signature and a clear date (1987) enhances liquidity. Note on Authentication: This valuation is predicated on the assumption that the work is an original serigraph and not a later photo-mechanical reproduction. To finalize this appraisal, I would require a physical inspection to verify the ink layering (serigraphy should show a slight 'piling' of ink) and the paper’s watermark. Full authentication would also be supported by a Certificate of Authenticity (COA) from a reputable gallery or the McKnight studio, and a provenance trail. A physical examination under ultraviolet light would be necessary to rule out hidden repairs or bleached acidity.