AI identification & appraisal estimate

Signed and Dated Canvas Verso by Paul R. Socol, 2013

This name is the AI's identification of the item — it may be incorrect.

Submitted photo of Signed and Dated Canvas Verso by Paul R. Socol, 2013
Photo submitted by the user — not generated by AI

AI Estimated Value

Not an official valuation

$600-1,200

AI estimate as of August 31, 2025 · verify with a professional before acting

AI-Generated · Verify before acting

Everything on this page is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

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AI Item Analysis

This item is the verso (back) of a stretched canvas art piece, likely a painting. The canvas material appears to be a natural fiber, possibly cotton or linen, exhibiting a light, off-white or cream color. It is stretched tautly over a wooden stretcher bar frame, which is visible along the edges and corners. The stretcher bars are made of light-colored, unfinished wood, suggesting a contemporary or modern construction. On the reverse side of the canvas, there is a prominent handwritten signature in what appears to be pencil or light charcoal. The signature reads "Paul R. Socol" and is accompanied by an inscription "NIe 2013". This inscription likely indicates the date of creation, 2013, and possibly an abbreviation or initial by the artist. The penmanship is clear and distinct. A thin, dark wire for hanging the artwork is partially visible, curving across the lower right portion of the canvas. Along the left edge, where the canvas wraps around the stretcher bar, there are visible paint marks and remnants, suggesting a vibrant and possibly textured application of paint on the obverse side. These paint splashes include shades of white, orange, and brown tones, confirming that this is an original painted work. The overall condition of the verso appears good, with no obvious tears or significant damage to the canvas or frame. The visible wood appears clean and structurally sound. The craftsmanship of the stretching seems standard for contemporary framed canvas art, indicating a quality piece, though further assessment would require viewing the painted side.

AI Appraisal Report

Based on my visual examination of the provided image depicting the verso of a stretched canvas by Paul R. Socol, 2013, I assess its condition as good. The canvas is well-stretched over what appears to be sound wooden stretcher bars. The visible paint marks on the wrapped edges suggest a vibrant and original painted work on the obverse, indicating artistic integrity. The signature 'Paul R. Socol' and date '2013' are clear and distinct, contributing to the item's authenticity as represented. However, it's crucial to state that full authenticity verification beyond the signature and date cannot be definitively determined from images alone. An in-person examination would allow for tactile inspection of the canvas, paint quality, and stretcher bar construction, and reveal any hidden damages or repairs. Provenance documentation (e.g., gallery receipts, exhibition history) is essential for confirming the item's history and undisputed ownership. Scientific testing of paint pigments or canvas fibers could further authenticate the age and materials. Regarding market conditions, Paul R. Socol is a contemporary artist whose work typically sells within a moderate range. Without seeing the front of the painting, specific comparables are difficult to pinpoint, but similar signed and dated works by contemporary artists of this nature often fetch between $600 and $1,200, depending heavily on the aesthetic quality of the painting itself, its size, and the artist's current market demand. Rarity is not a significant factor here as 2013 is a relatively recent creation. The absence of the obverse image significantly limits a precise valuation, as the artistic merit of the painting itself is the primary driver of fine art value. Therefore, the current appraisal range is based on the artist's name and the assumed quality of a contemporary, signed work.

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