Alexander Calder 'Construction' Signed Lithograph
Fine Art - Prints & Multiples

Alexander Calder 'Construction' Signed Lithograph

This item is a limited-edition color lithograph by the renowned American artist Alexander Calder (1898–1976), titled 'Construction' (also known as 'Composition'). The artwork features Calder’s signature mid-century modernist aesthetic, characterized by bold, primary-colored geometric shapes—specifically circles in red and blue—and sharp, black linear elements set against a cream-colored or off-white background. The composition is dynamic, suggesting kinetic energy similar to his famous mobiles. The piece is hand-signed in pencil by Calder in the lower right margin and is numbered 57/100 in the lower left, indicating a relatively low and desirable edition size. The lithograph is printed on heavy-weight artist paper and is housed in a simple, thin gold-tone metal frame. Regarding condition, there is visible 'waving' or cockling of the paper, likely due to humidity or improper mounting, which indicates it may not be on acid-free backing. There appear to be minor surface abrasions on the frame and potential light-strike fading typical of displays without UV-protective glass. A distinct horizontal reflection and a white curved line are visible in the photograph, though these appear to be external reflections on the glazing rather than damage to the print itself. The piece likely dates to the 1960s or early 1970s, a peak period for Calder’s graphic works.

Estimated Value

$1,500 - $2,500

Basic Information

Category

Fine Art - Prints & Multiples

Appraised On

March 7, 2026

Estimated Value

$1,500 - $2,500

Additional Details Provided By Owner

User Provided Information

Alexander Calder construction 57/100 pencil signed

Item Description

This item is a limited-edition color lithograph by the renowned American artist Alexander Calder (1898–1976), titled 'Construction' (also known as 'Composition'). The artwork features Calder’s signature mid-century modernist aesthetic, characterized by bold, primary-colored geometric shapes—specifically circles in red and blue—and sharp, black linear elements set against a cream-colored or off-white background. The composition is dynamic, suggesting kinetic energy similar to his famous mobiles. The piece is hand-signed in pencil by Calder in the lower right margin and is numbered 57/100 in the lower left, indicating a relatively low and desirable edition size. The lithograph is printed on heavy-weight artist paper and is housed in a simple, thin gold-tone metal frame. Regarding condition, there is visible 'waving' or cockling of the paper, likely due to humidity or improper mounting, which indicates it may not be on acid-free backing. There appear to be minor surface abrasions on the frame and potential light-strike fading typical of displays without UV-protective glass. A distinct horizontal reflection and a white curved line are visible in the photograph, though these appear to be external reflections on the glazing rather than damage to the print itself. The piece likely dates to the 1960s or early 1970s, a peak period for Calder’s graphic works.

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