Hand-Colored Veduta of the Piazza San Marco, Venice
Fine Art / Prints

Hand-Colored Veduta of the Piazza San Marco, Venice

This item is a framed landscape artwork, specifically a veduta (view) depicting the Piazza San Marco in Venice, Italy. The composition features a central view of the piazza with the Basilica San Marco and its campanile rising in the distance, flanked by the symmetrical Procuratie buildings on either side. Historically, these scenes were popular as souvenirs for travelers on the Grand Tour. The physical item consists of a medium-sized horizontal print, likely an etching or engraving, that has been hand-colored with a palette dominated by muted blues in the sky and sepia tones for the architectural structures. It is housed in a simple, gold-painted or gilded wooden frame with a slim profile. There is notable evidence of age, particularly yellowing or foxing of the paper substrate, which is a common characteristic for pieces dating to the late 18th or 19th centuries. The coloration appears somewhat faded, suggesting significant light exposure over time. The frame shows minor surface wear and small abrasions consistent with mid-range decorative art of its era. While no specific maker's mark is visible from this distance, the perspective and execution are representative of the school of Venetian view-painters, such as Canaletto or Guardi, though this is likely a later print derivative of those masters. The craftsmanship indicates a quality decorative piece intended for domestic interior display.

Estimated Value

$100 - $200

Basic Information

Category

Fine Art / Prints

Appraised On

February 25, 2026

Estimated Value

$100 - $200

Additional Details Provided By Owner

User Provided Information

painting

Item Description

This item is a framed landscape artwork, specifically a veduta (view) depicting the Piazza San Marco in Venice, Italy. The composition features a central view of the piazza with the Basilica San Marco and its campanile rising in the distance, flanked by the symmetrical Procuratie buildings on either side. Historically, these scenes were popular as souvenirs for travelers on the Grand Tour. The physical item consists of a medium-sized horizontal print, likely an etching or engraving, that has been hand-colored with a palette dominated by muted blues in the sky and sepia tones for the architectural structures. It is housed in a simple, gold-painted or gilded wooden frame with a slim profile. There is notable evidence of age, particularly yellowing or foxing of the paper substrate, which is a common characteristic for pieces dating to the late 18th or 19th centuries. The coloration appears somewhat faded, suggesting significant light exposure over time. The frame shows minor surface wear and small abrasions consistent with mid-range decorative art of its era. While no specific maker's mark is visible from this distance, the perspective and execution are representative of the school of Venetian view-painters, such as Canaletto or Guardi, though this is likely a later print derivative of those masters. The craftsmanship indicates a quality decorative piece intended for domestic interior display.

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