Joan Miró Triptych Print
Art Print

Joan Miró Triptych Print

This appears to be a framed triptych of prints by Joan Miró, based on the prominent 'MIRO' signature visible in the top panel. The framing consists of a light wood frame with a light green mat surrounding the three individual prints. The top print is horizontally oriented and features abstract shapes in blue and black, along with a red/orange area containing the signature 'MIRO' in black script. The two lower prints are vertically oriented and feature repeating abstract figures in red, black, blue, and yellow on a white background. The style is characteristic of Miró's surrealist work, utilizing simplified forms and bold colors. The prints appear to be paper, and the overall condition seems good, with no obvious signs of damage like tears or significant discoloration, although some very minor handling wear might be present which is not clearly visible in the image. The framing appears to be relatively modern. Without closer inspection or removal from the frame, it is difficult to determine the exact printing technique (e.g., lithograph, serigraph) or if there are any edition numbers or other markings hidden by the mat.

Estimated Value

$1,500-2,500

Basic Information

Category

Art Print

Appraised On

August 28, 2025

Estimated Value

$1,500-2,500

Additional Details Provided By Owner

User Provided Information

Miro

Item Description

This appears to be a framed triptych of prints by Joan Miró, based on the prominent 'MIRO' signature visible in the top panel. The framing consists of a light wood frame with a light green mat surrounding the three individual prints. The top print is horizontally oriented and features abstract shapes in blue and black, along with a red/orange area containing the signature 'MIRO' in black script. The two lower prints are vertically oriented and feature repeating abstract figures in red, black, blue, and yellow on a white background. The style is characteristic of Miró's surrealist work, utilizing simplified forms and bold colors. The prints appear to be paper, and the overall condition seems good, with no obvious signs of damage like tears or significant discoloration, although some very minor handling wear might be present which is not clearly visible in the image. The framing appears to be relatively modern. Without closer inspection or removal from the frame, it is difficult to determine the exact printing technique (e.g., lithograph, serigraph) or if there are any edition numbers or other markings hidden by the mat.

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