The Bronco Buster Bronze Sculpture by Frederic Remington

This is a cast bronze sculpture depicting a cowboy astride a rearing horse, famously titled 'The Bronco Buster'. Originally modeled in 1895, this particular piece features a deep brown patina with subtle highlights, mounted on a polished black marble or stone base. The sculpture captures a dynamic moment of tension between rider and steed; the cowboy is shown wearing leather chaps, a button-up shirt, and a neckerchief, holding a switch in his right hand while pulling back on the reins with his left. The horse is depicted with a flowing mane and tail, showing realistic anatomical musculature. A visible signature for 'Frederic Remington' is cast into the naturalistic bronze base plate. The craftsmanship exhibits typical turn-of-the-century Western realism, though the specific age requires closer inspection to differentiate between a contemporary estate casting and a vintage authorized piece. The condition appears stable, with some minor surface dust and potential light oxidation in recessed areas. The presence of wire reins indicates traditional assembly. There is a handwritten price tag or inventory label reading '795-' visible on the marble base. The piece serves as a classic icon of American Western art.

After examining the provided imagery of this 'The Bronco Buster' bronze, I have determined it to be a later 20th-century reproduction rather than an early authorized casting. The original 1895 model by Frederic Remington is the most famous American bronze, but authentic castings from the artist's lifetime (Henry-Bonnard or Roman Bronze Works) command prices in the hundreds of thousands to millions. This piece, mounted on a polished black marble base—a hallmark of modern decorative reproductions—lacks the sharp, crisp detailing found in period castings. The patina is a uniform chemically-applied brown rather than the nuanced surface of an early 1900s piece. While the 'Frederic Remington' signature is present, it is a cast-in surmoulage element, meaning it was copied from a mold of another statue rather than signed in the wax. The presence of the handwritten '$795' sticker on the base actually aligns well with the retail pricing for high-quality decorative bronze re-strikes sold in galleries during the 1980s or 90s. The wire reins are a nice touch indicating better-than-average assembly, but the overall definition in the horse's face and musculature is softer than a museum-quality example. Authenticating a Remington requires measuring the casting to the millimeter (reproductions shrink slightly from the original) and checking for specific foundry marks, which appear absent or indistinct here. Consequently, I am valuing this as a decorative object or 'after' casting. The market for these remains steady but modest; they are purchased as Western décor rather than investment-grade fine art.