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Submitted photo · June 8, 2026
User's notes
Lithograph Les Maitres de l’Affiche
AI analysis below
AI appraisal
AI analysis & estimate
AI-Generated · Verify before acting
Everything below is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.
Note
This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.
This item is a framed lithograph, likely a print from 'Les Maîtres de l'Affiche' series, given the context. The artwork features an Art Nouveau style design, characteristic of the late 19th or early 20th century. The central image depicts three allegorical female figures, one in a red dress kneeling and interacting with a globe-like object adorned with laurel leaves, another in a green dress behind her, and a third, possibly a muse or spirit, floating or standing to the right. The color palette is somewhat muted, with prominent reds, greens, and blues against a light brown or tan background for the print itself. The overall design incorporates curvilinear forms and decorative elements typical of Art Nouveau. Below the figures, French text is visible, indicating 'CENTENAIRE DE LA DECOUVERTE DE LA PILE VOLTAÏQUE' and 'CÔME 1899 OCTOBRE,' which translates to 'Centenary of the Discovery of the Voltaic Pile (Battery)' and 'Como October 1899,' suggesting the print commemorates an event related to the 100th anniversary of Alessandro Volta's invention. Further text, though difficult to entirely decipher, mentions international exhibitions and congresses for electricity and telegraphy. A small signature 'C. CORTUSCIO 1900' is discernable in the lower left. The print is housed within a substantial, ornate gilded frame with a highly decorative, possibly cast or molded, relief pattern featuring scrolling foliage and acanthus-like motifs. The frame has a rich, antiqued gold finish. Inside the frame, the lithograph is surrounded by a wide, off-white or cream mat board, which creates a significant border between the print and the frame. The print appears to be in good condition, with no immediately visible tears, creases, or significant discoloration, though the full extent of its condition beneath the frame and mat cannot be assessed. The frame itself shows some minor wear consistent with age, but no major damage. The glass covering the print appears clear. The overall presentation indicates a well-preserved piece of historical graphic art from the Art Nouveau period.
AI Appraisal Report
·AI can make mistakes·Verify before acting
I have examined the image of the 'Centenaire de la Pile Voltaïque' lithograph, presented within an ornate gilded frame. Based on the visual evidence, the lithograph appears to be an authentic Art Nouveau piece, consistent with the described context of 'Les Maîtres de l'Affiche' series. The discernible signature 'C. CORTUSCIO 1900' and the theme commemorating the Voltaic Pile centenary in 1899 align with the period. The print's condition appears good, with no obvious tears, creases, or significant discoloration visible through the frame and mat. The framing itself is substantial and appropriate for the era, and its minor wear is consistent with age. This good-to-very good condition, coupled with the attractive framing, positively influences value.
Market conditions for authentic Art Nouveau lithographs, especially those tied to significant historical events or renowned series like 'Les Maîtres de l'Affiche,' remain stable with consistent demand from collectors of historical prints, scientific memorabilia, and Art Nouveau art. While not exceedingly rare, pieces from 'Les Maîtres de l'Affiche' are sought after. Comparable sales for similar unframed 'Maîtres de l'Affiche' plates typically range from $400-800, with framed examples often commanding more based on frame quality and condition.
However, it's crucial to acknowledge the limitations of image-based appraisal. I cannot definitively verify authenticity, paper quality, or detect subtle restoration solely from photographs. A physical inspection would be required to meticulously examine the paper, printing technique, and any possible repairs. Furthermore, obtaining provenance documentation would provide the strongest confirmation of its history and authenticity. Scientific testing, if needed, could confirm paper age and pigment composition. Without these, my assessment of authenticity is based on visual consistency with known examples. Given these factors, I estimate the appraisal value to be between $1,000 and $1,500.