Framed lion and cheetah illustrations in the style of scratchboard or intaglio-print works

This image features two square-framed illustrations of big cats. One piece depicts a close-up portrait of a lion, while the other shows three cheetah cubs. The lion illustration bears a small, dark signature in the lower-left area that appears to read 'Tom Cryer', which is consistent with the owner's unverified attribution. The artworks utilize a detailed linear technique, stylistically consistent with scratchboard, engraving, or meticulously rendered ink drawing, featuring fine hatching and cross-hatching to define fur texture and shadow. The coloration consists of ochre and tan tones against a light background with dark black line work. Both works are presented in dark wooden frames with integrated black and gold-toned matting. The framing style and subject matter are consistent with commercial wildlife art produced during the late 20th century. The lion piece is shown resting diagonally across the cheetah cub piece. No physical inspection was performed; therefore, the medium, authenticity of the signature, and exact production date remain unverified. The condition appears stable, though minor reflections on the glass suggest they are under standard glazing.

I have reviewed the provided images of two wildlife illustrations featuring a lion and cheetah cubs. Per the user submission, the lion plate is attributed to Tom Cryer, and I can observe a signature consistent with this name in the lower-left corner. Based on what I can see, the works employ a detailed hatching technique characteristic of scratchboard or intaglio-print processes popular in the late 20th century. However, I cannot verify from a photo whether these are hand-rendered drawings, limited edition prints, or mass-produced lithographs. The valuation assumes the works are hand-signed items by the artist as indicated; should they be identified as unsigned reproductions or common photolithographs, the value would likely decrease to a decorative range of $20–$50 for the pair. The market for wildlife art of this style is generally stable but depends heavily on the medium. A physical inspection would be necessary to distinguish between a unique scratchboard and a printed mechanical reproduction. To confirm this hypothesis of authorship and medium, I recommend an in-person examination by a specialist in 20th-century commercial art or a review of provenance documentation. The frames appear to be in good condition with integrated matting, which adds to the decorative appeal. The current estimate reflects general market behavior for framed wildlife illustrations of this specific subject matter and era.