Modern expressionist-style figurative painting, consistent with works by Santucci

This is a large-format figurative painting executed in an expressionist style, featuring a dramatic and chaotic composition of war-related and abstract imagery. The color palette is dominated by heavy blacks, fiery reds, and muted yellows. Centrally, a stylized figure appears in a state of distress or screaming, rendered in intense red tones. To the left, a large clock face with Roman numerals is shown at an angle, while at the top, the dark silhouette of a multi-engine propeller aircraft, stylistically consistent with a mid-20th-century bomber, appears to be in flight or crashing. The brushwork is gestural and thick, suggesting a highly emotional or symbolic subject matter. In the lower-left quadrant, the work bears a signature and date reading 'SANTUCCI 92' in dark paint. Based on this marking, the piece is consistent with works by an artist named Santucci, possibly from 1992, though this attribution remains a hypothesis subject to physical inspection and expert verification. The canvas appears to be unframed and is mounted on a wall; it shows no immediate signs of major physical damage or flaking in the photo, though the edges and surface texture would require in-person examination to confirm stability. The use of high-contrast light and shadow suggests a style influenced by neo-expressionism or contemporary historical commentary.

Based on the provided image, I have examined this large-format Modern expressionist painting. The work bears a signature and date consistent with 'SANTUCCI 92', characterized by a neo-expressionist aesthetic, heavy impasto, and a high-contrast palette of reds and blacks. I can observe a complex composition involving a bomber aircraft and a central distressed figure, suggesting a theme of historical or psychological conflict. From the photo, I can see the gestural application of paint, though I cannot verify the physical depth of the impasto or the stability of the canvas without an in-person inspection. The value of $4,000–$7,000 is based on the hypothesis that this is a work by the artist Santucci from the early 1990s. In the current market, large-scale expressionist works with significant emotional intensity and historical motifs generally command higher prices than smaller, decorative pieces. However, this estimate assumes the attribution is correct. If the piece were determined to be by an unknown hand, a student, or ‘in the style of’ without a verified signature, the value would likely decrease to a range of $800–$1,200 based on decorative merit alone. To further refine this valuation, I would need a physical examination to check for canvas repairs or paint flaking, and a review of provenance documentation to trace its ownership history. Scientific testing of the pigments or further stylistic comparison would be necessary to substantiate the attribution beyond the visible signature.