AI Appraisal Estimate

This item is an exhibition poster for the Musée National Message Biblique Marc Chagall in Nice, France. The poster advertises the exhibition 'Maquettes pour l'œuvre Monumentale' which ran from July to September 1974. The central artwork features a characteristic Chagall lithographic design with vibrant yellow, green, and blue hues, depicting a winged figure with dual faces and a secondary angelic figure above. The text includes the artist's name in a bold, stylized script. A significant feature is a printed signature and date '1974' in the lower right corner, likely as part of the poster design rather than a hand-signed autograph. The piece is professionally housed in a decorative gold-toned wood or composite frame with ornate floral molding on the outer edge and a cream-colored mat border. The condition appears stable with no visible tears or foxing; however, there is some minor wear visible on the frame's edges and slight reflections on the glass. The craftsmanship represents a high-quality museum reproduction from the mid-1970s, a period when Chagall was actively involved in his museum in Nice.

I have conducted a visual examination of this 1974 Marc Chagall exhibition poster for the Musée National Message Biblique. The piece is an original lithographic poster printed by Mourlot, Paris, for the 'Maquettes pour l'œuvre Monumentale' exhibition. My assessment indicates the item is in good vintage condition, housed in a high-quality contemporary gilt frame with a double mat. The colors remain vibrant, suggesting limited UV exposure, though slight undulations in the paper suggest it is not dry-mounted, which is preferable for preservation. The market for Chagall museum posters remains strong due to their accessibility and the high aesthetic value of Mourlot's lithography. Comparable auction results for this specific 1974 Mourlot edition typically range from $300 to $500 unframed; the premium in this valuation accounts for the professional framing, which adds significant retail appeal. While the '1974' signature is printed in the stone and not a hand-autograph, the poster itself is a legitimate period piece rather than a modern digital reproduction. My valuation is limited by the digital nature of this inspection. I cannot definitively verify the paper's weight, the presence of specific watermarks, or the stability of the acid-free materials behind the mat. A full authentication would require removing the poster from the frame to inspect the verso for registration marks and any hidden foxing or adhesive residue. For a formal insurance placement, I would recommend a physical inspection to confirm the edition's dimensions match the catalog raisonné (Sorlier) for Chagall's posters.