Mid-Century Hard-Edge Geometric Landscape Abstraction

This artwork is a notable example of Geometric Abstraction or Hard-Edge painting, likely dating from the late 1960s to the 1970s. The composition features a dynamic, forced-perspective 'V' or path shape in deep navy blue/black that bisects a vibrant purple field. The edges of this central void are defined by precision-ruled, multi-colored lines in varying widths, utilizing a palette of bright yellow, orange, red, magenta, and white. This use of color grading creates a sense of kinetic energy and recession, reminiscent of early computer graphics or 'Synthwave' aesthetics before the digital era. Physically, the piece appears to be a screen print or serigraph on heavy paper, given the flat, saturated application of ink and the sharp delineations between color zones. It is housed in a simple metallic or thin-profile frame. The condition shows minor signs of age; there are visible white surface scuffs or minute scratches in the upper purple field and some slight undulation of the paper substrate beneath the glazing. No artist signature is visible on the front, which is common for minimalist works of this period, though one may be present on the reverse or under the matting. The craftsmanship is high, evidenced by the perfectly straight registration of the multi-colored stripes and the lack of color bleed, indicating a professional studio production. The style aligns with the 'Light and Space' movement or California hard-edge painters like Karl Benjamin or Lorser Feitelson, focusing on color theory and linear precision.