Set of Two Original Oil Paintings by Billet

This is a set of two vertically oriented oil paintings. Both paintings depict scenes of the Greek coast. The top painting features white buildings with blue accents situated on a hillside overlooking the sea with sailboats visible in the distance. A patio area with a table and chairs is shown in the foreground. The bottom painting depicts a white windmill with thatched blades, also situated on a hillside near the sea, with white buildings in the background. Both paintings are executed in oil on canvas or board and are signed 'Billet' in the lower right corner. The colors are vibrant, featuring deep blues for the sky and sea, bright white for the buildings, and various shades of green and pink for vegetation. Each painting is framed in a stepped wooden frame with a dark grey-green outer edge and a gold inner edge, surrounding a white mat. The frames show small dents on the wooden surfaces. The paintings themselves appear to be in perfect condition, as stated in the additional context. Given the stated age of approximately 45 years old, the style suggests a semi-abstract or impressionistic approach to rendering the landscape and architecture. The craftsmanship appears to be competent, with good color saturation and composition.

Based on my visual examination of the provided image, this set of two original oil paintings by 'Billet' appears consistent with the description of approximately 45-year-old Greek coastal scenes. The paintings themselves seem to be in perfect condition, as stated. The colors are vibrant, and the composition and execution suggest a competent, possibly semi-abstract or impressionistic style popular for tourist or decorative art during that period. The signature ‘Billet’ is present, but authenticity can only be definitively confirmed through an in-person examination to assess paint application, age, and comparing the signature to known examples of the artist’s work, if available. Provenance documentation linking the paintings directly to the artist or their original sale would significantly aid authentication. Without being able to physically inspect the paintings and frames, I can only comment on their apparent condition and style. While the paintings look good, the frames show minor dents, which is typical for their age and impacts value slightly. The market for decorative art by lesser-known artists is generally driven by aesthetic appeal and condition. While charming, these particular paintings don't appear to be by a highly collected or well-documented artist, which limits rarity and demand outside of regional interest or personal preference.