AI Appraisal Estimate

This is a pair of vintage mid-century costume jewelry earrings presented in their original 'Antonelle Pearls' branded box. Each earring features a cluster of three creamy, champagne-toned faux pearls arranged in a triangular formation, nestled within a silver-toned metal setting. The design is characteristic of the Late Deco to early Mid-Century modern style, featuring tiered baguette and round-cut clear rhinestones that fan out in a spray or 'ribbon' motif above the pearls. This construction creates a dynamic, architectural aesthetic typical of the 1940s and 1950s. The earrings are likely clip-on style based on their size and orientation. The metal appears to be rhodium-plated base metal, which was common for high-quality costume jewelry of that era to prevent tarnishing. The pearls exhibit a soft luster, though minor surface wear is likely consistent with age. The presentation box is lined with cream-colored satin and bears a distinctive illustrated logo of a woman's profile with the name 'Antonelle Pearls' inside an ornate oval border. The exterior of the box appears to be a blue-green velvet or velour material. While the 'Antonelle' brand was known for simulated pearls, the craftsmanship in the stone setting and the inclusion of the original presentation case significantly contribute to its value as a complete set. The overall condition appears good with no missing stones visibly apparent, though the box lining shows slight yellowing or aging common for vintage textiles.

I have conducted a visual analysis of these vintage Antonelle Pearls cluster earrings. The set represents a classic examples of mid-century 'bridal' costume jewelry, likely dating from the 1950s. The aesthetic—combining champagne-toned faux pearls with tiered baguette and pavé rhinestones in a rhodium-plated setting—is emblematic of the era's preference for architectural, 'spray' motifs. The presence of the original presentation box, featuring the 'Antonelle Pearls' logo, is a significant value-add for collectors of vintage vanity items. The condition appears 'good to very good' based on the imagery. The pearls retain a consistent orient with no visible peeling, and the stones appear bright without the 'greying' associated with dead foil backings. However, I must note that images cannot confirm the security of the prong settings or the tension of the clip mechanisms. The primary value driver here is the completeness of the set; 'Antonelle' was a mid-market brand compared to Trifari or Dior, but original packaging makes this piece more desirable to the 'New-Old-Stock' (NOS) demographic. Market demand for 1950s costume jewelry is stable, though prices for non-designer brands fluctuate based on condition. For a definitive valuation, I would need to perform a physical inspection to check for 'green rot' (verdigris) under the pearl cups and verify the brand hallmark on the clips. In-person examination would also differentiate between glass-core simulated pearls and lighter plastic versions, the former being more indicative of higher quality manufacturing. Scientific testing is generally not required for this tier of jewelry, but provenance regarding its original purchase would further solidify its collectible status.