Still Life with Animal Skull and Vessels Oil Painting
Fine Art - Paintings

Still Life with Animal Skull and Vessels Oil Painting

This is an original oil painting on canvas or panel, executed in a post-impressionist or academic student style, likely dating from the mid-to-late 20th century. The composition features a variety of objects arranged on a light green surface, including a prominent mammalian skull (possibly a sheep or deer), a white ceramic pitcher, a dark green glass bottle, a small blue vase, and several geometric or architectural forms such as a grey pedestal and a red box. The color palette is characterized by muted earth tones, greens, and grays, with a single bold red accent. The paint application is thick with visible impasto in some areas, particularly on the skull and the pitcher, suggesting a focus on texture and form. The brushwork is somewhat broad and expressive rather than hyper-realistic. Condition-wise, the artwork appears to be unframed, showing some minor edge wear and potential surface dust accumulation consistent with its age. There are no visible signatures or maker's marks on the front surface, which may indicate it was a study or part of a private collection. The craftsmanship shows a confident hand with a strong understanding of tonal values and spatial arrangement.

Estimated Value

$100 - $300

Basic Information

Category

Fine Art - Paintings

Appraised On

February 12, 2026

Estimated Value

$100 - $300

Item Description

This is an original oil painting on canvas or panel, executed in a post-impressionist or academic student style, likely dating from the mid-to-late 20th century. The composition features a variety of objects arranged on a light green surface, including a prominent mammalian skull (possibly a sheep or deer), a white ceramic pitcher, a dark green glass bottle, a small blue vase, and several geometric or architectural forms such as a grey pedestal and a red box. The color palette is characterized by muted earth tones, greens, and grays, with a single bold red accent. The paint application is thick with visible impasto in some areas, particularly on the skull and the pitcher, suggesting a focus on texture and form. The brushwork is somewhat broad and expressive rather than hyper-realistic. Condition-wise, the artwork appears to be unframed, showing some minor edge wear and potential surface dust accumulation consistent with its age. There are no visible signatures or maker's marks on the front surface, which may indicate it was a study or part of a private collection. The craftsmanship shows a confident hand with a strong understanding of tonal values and spatial arrangement.

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