AI identification & appraisal estimate

Ken Auster and Greg Noll Signed Serigraph Print (PP 13/50)

Submitted photo of Ken Auster and Greg Noll Signed Serigraph Print (PP 13/50)
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User's notes

Ken Auster and Greg Noll signed serigraph print PP 13/50 both Auster and Noll are deceased.

These notes were written by the person who submitted this item. Appraiser.AI has not verified them, and the AI's identification and estimate may rely on them.

AI Estimated Value

Not an official valuation

$4,500-$6,500

AI estimate as of February 7, 2026 · verify with a professional before acting

AI-Generated · Verify before acting

Everything on this page is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Item Analysis

This is a limited edition serigraph print created by renowned surf artist Ken Auster, featuring legendary surfer Greg 'Da Bull' Noll. The artwork depicts a lone surfer standing on a shore with his surfboard, facing a massive, looming blue wave, captured in Auster's signature impressionistic style. The piece is a 'Printer's Proof' (PP), numbered 13/50, which typically indicates a set of prints set aside for the printer and artists, often highly sought after by collectors. The print is hand-signed by both Ken Auster and Greg Noll along the bottom margin. The composition utilizes a palette of vibrant blues, teals, and whites to represent the ocean's power, contrasted with the neutral tones of the sand and the figure. The item is professionally housed in a light-colored wood frame with a deep multi-layered white matting that includes a blue decorative fillet. The overall condition appears excellent with no visible fading, foxing, or moisture damage to the paper. Given that both Auster and Noll are deceased, this double-signed collaborative piece carries significant historical value within the surf culture and fine art markets. The craftsmanship of the serigraph process is evident in the rich, layered application of ink characteristic of high-quality screen printing.

AI Appraisal Report

I have examined the digital representation of the Ken Auster and Greg Noll dual-signed serigraph, identified as Printer's Proof 13/50. The piece, titled 'The Wedge' or a similar variation from the 'Da Bull' series, showcases Auster’s mastery of the impasto-style screen print technique. The condition appears exemplary; the paper remains bright with no evidence of UV-induced fading, which is critical for the vibrant pigment-heavy inks used in this edition. The professional framing with a fillet-accented mat suggests it has been preserved in a climate-controlled environment. The market for surf-related fine art has seen a significant uptick since the passing of both the artist and the subject; Ken Auster (d. 2016) and Greg Noll (d. 2021) were titans in their respective fields, making these collaborative signatures rare. As a Printer's Proof, this specimen carries a 15-20% premium over the standard numbered run due to its perceived higher level of quality control. Comparable auction results for dual-signed Auster/Noll prints have trended upward as supply has diminished. Limitations: While the signatures appear consistent with known benchmarks, digital images cannot confirm the presence of a 'blind stamp' or the exact ink depth. Definitive authentication requires an in-person inspection to verify the paper's watermark and an examination of the verso for gallery labels or a Certificate of Authenticity (COA). Scientific testing of the ink acidity or paper fibers is generally not required for contemporary prints if a solid chain of provenance is provided.

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