Pair of anthropomorphic ceramic figurine planters in a mid-century kitsch style

This pair of ceramic figurines features child-like figures in crouching poses, styled to function as small planters or vases with open cavities at the back of the heads. Each figure is dressed in blue garments, appears barefoot on a green-mottled base, and wears a large, wide-brimmed hat finished in a reddish-pink glaze with visible brushwork or sponging. The facial features are characterized by stylized, somewhat caricatured expressions with squinted eyes and prominent cheeks. The glaze exhibits a high-gloss finish. Based on the aesthetic and construction, these appear consistent with mid-20th-century pottery from the 1940s or 1950s, a period popular for whimsical anthropomorphic housewares. There is visible wear, specifically several prominent glaze chips on the brims of the red hats, exposing the underlying light-colored ceramic body. Fine surface crazing is also present across the cream-colored facial areas, which is typical for aged earthenware or ceramic pieces of this era. No maker's mark or signature is visible in the photograph; while they are stylistically consistent with decorative items produced by companies like McCoy or various Japanese export manufacturers of the mid-century, they remain unattributed without physical inspection of the undersides.

Based on what I can see in the provided photograph, I have evaluated this pair of ceramic figurines as mid-century anthropomorphic planters. The aesthetic, characterized by high-gloss glazes and stylized features, suggests they are consistent with the whimsical novelty wares produced in the 1940s or 1950s. While they share similarities with designs from domestic makers like McCoy or various Japanese export brands, no visible maker's mark or signature is apparent; therefore, any specific attribution remains a hypothesis that I cannot verify from a photo alone. The value estimate is significantly influenced by the visible condition. I can see several prominent glaze chips on the brims of the red hats and fine surface crazing on the faces. Such damage is common for earthenware of this vintage but detracts from the desirability for serious collectors. In the current market, there is a steady interest in 'kitsch' decor, though unbranded pieces generally command lower prices than those with a verified manufacturer’s mark. To move beyond a working assumption of mid-century origin, a physical inspection is required to check for hidden marks, evaluate the clay body's density, and rule out modern reproductions. If these were later 'in the style of' copies rather than period pieces, the value would likely drop to a decorative range of $15-$25. Conversely, if an in-person examination or provenance documentation were to link these to a highly sought-after designer, the value could exceed the current estimate. A definitive assessment of value is contingent upon professional authentication of the age and origin.