
Framed Print of 'Two Sisters (On the Terrace)' by Pierre-Auguste Renoir
This item is a large-format reproduction print of Pierre-Auguste Renoir's 1881 Impressionist masterpiece, 'Two Sisters (On the Terrace).' The artwork depicts a young woman in a vibrant red hat seated beside a younger girl adorned with a floral crown, both set against a lush, greenery-filled background of the Maison Fournaise in Chatou. The print is housed in a substantial, ornate gilded wooden or composite frame featuring a deep cove profile and a decorative scrolling acanthus leaf pattern along the outer edge. The frame’s finish is a burnished gold with a moderate patina, suggesting a late 20th-century manufacture intended to mimic a classical 19th-century salon style. Notable features include a small white identification plaque centered on the lower matting, which typically identifies the artist and work. The print appears to be matted with a neutral, gold-toned border that complements the frame. Condition-wise, the frame shows minor wear consistent with display in a residential setting, with no significant chips or cracks visible in the decorative molding. The colors in the print remain relatively saturated, though the texture suggests a print-on-paper or canvas-transfer rather than an original oil painting (the actual original resides in the Art Institute of Chicago). This piece serves as a high-quality decorative reproduction of late 19th-century French Impressionism.
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Estimated Value
$150 - $350
Basic Information
Category
Wall Art / Framed Prints
Appraised On
March 16, 2026
Estimated Value
$150 - $350
Additional Details Provided By Owner
User Provided Information
Title is On the Terrace, 1881 by Pierre Auguste Renoir
Item Description
This item is a large-format reproduction print of Pierre-Auguste Renoir's 1881 Impressionist masterpiece, 'Two Sisters (On the Terrace).' The artwork depicts a young woman in a vibrant red hat seated beside a younger girl adorned with a floral crown, both set against a lush, greenery-filled background of the Maison Fournaise in Chatou. The print is housed in a substantial, ornate gilded wooden or composite frame featuring a deep cove profile and a decorative scrolling acanthus leaf pattern along the outer edge. The frame’s finish is a burnished gold with a moderate patina, suggesting a late 20th-century manufacture intended to mimic a classical 19th-century salon style. Notable features include a small white identification plaque centered on the lower matting, which typically identifies the artist and work. The print appears to be matted with a neutral, gold-toned border that complements the frame. Condition-wise, the frame shows minor wear consistent with display in a residential setting, with no significant chips or cracks visible in the decorative molding. The colors in the print remain relatively saturated, though the texture suggests a print-on-paper or canvas-transfer rather than an original oil painting (the actual original resides in the Art Institute of Chicago). This piece serves as a high-quality decorative reproduction of late 19th-century French Impressionism.
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