Chromolithographed plate depicting an ornamental bronze and ivory vase

This item is a framed 19th-century style color print, specifically a chromolithograph, depicting a highly decorative Neoclassical-style vase. The print portrays a dark-toned urn (suggested as bronze) with an ornate white frieze (suggested as ivory) featuring relief-carved figures in a classical style. The vessel stands on a pedestal base with scrollwork handles. Visible text at the bottom of the plate reads: 'A BRONZE & IVORY VASE BY BARON H. DE TRIQUETI. PARIS.' and 'London, Chromolithographed & Published by Day & Son, Lithographers to the Queen. J. B. Waring dirext.' The user-supplied identification of the piece as Plate 201 from a published work on the 1862 International Exhibition in London is consistent with these visible markings, though the physical authenticity of the page as an original 1863 edition versus a later reproduction cannot be verified without out-of-frame inspection. The print is housed in a contemporary gold-toned frame with a large cream-colored double mat featuring a gold inner bevel. The visible paper appears to be in relatively good condition, though some minor undulation and potential light foxing or discoloration are consistent with aged paper. The craftsmanship of the print shows the characteristic rich layering and depth of Victorian-era chromolithography.

Based on the provided imagery, the item appears to be a 19th-century chromolithograph print, identified per user submission as Plate 201 from J.B. Waring’s 'Masterpieces of Industrial Art and Sculpture at the International Exhibition, 1862.' The plate bears markings consistent with the publishing work of Day & Son, London. From what I can see, the print exhibits the rich color saturation and registration typical of Victorian-era lithography. However, I cannot verify from a photo if this is a page from the 1863 first edition or a later high-quality reproduction. A physical inspection would be required to examine the paper’s weight, watermark, and deckle edges, which are currently obscured by the contemporary frame. The value estimate of $150–$300 assumes the print is an individual leaf from the 1863 publication in good condition. The presence of minor undulations and possible light foxing suggests age, but the overall presentation is enhanced by modern professional framing. In the current market, decorative prints from the 1862 International Exhibition are valued by collectors of Neoclassical and Victorian design, though they are relatively common. To confirm the identification, an in-person examination by a specialist in 19th-century works on paper would be necessary to check for appropriate plate marks and paper type. Should the piece be determined to be a modern photographic reproduction or a digital print rather than a 19th-century chromolithograph, its value would likely drop to a purely decorative range of $40–$60, primarily reflecting the cost of the frame.