
Albrecht Dürer Little Owl (Das Käuzchen) Print
This item is a framed reproduction of the famous 1508 watercolor and gouache study 'Little Owl' (Das Käuzchen) by the Northern Renaissance master Albrecht Dürer. The artwork depicts a juvenile owl in profile, rendered with meticulous anatomical detail characteristic of Dürer's natural history studies. The central subject features a palette of earthy browns, grays, and whites, with a distinctive blue-grey wash around the eyes. A notable marking is the prominent 'AD' monogram and the date '1508' located in the lower-left corner, which are hallmarks of Dürer's work. The print is housed behind glass in a dark wood frame with a double-layered aesthetic and a warm, ochre-toned mat that complements the earthy colors of the owl. Condition-wise, the print appears well-preserved within the frame, though there is visible glare on the glass surface and slight unevenness in the paper mounting. This piece exemplifies the Renaissance shift toward empirical observation and high-quality artistic realism. Given the framing style, this is likely a mid-to-late 20th-century museum-quality print or lithograph rather than a period original, which is currently held in the Albertina Museum in Vienna.
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Estimated Value
$45.00 - $75.00
Basic Information
Category
Fine Art Prints & Reproductions
Appraised On
March 9, 2026
Estimated Value
$45.00 - $75.00
Item Description
This item is a framed reproduction of the famous 1508 watercolor and gouache study 'Little Owl' (Das Käuzchen) by the Northern Renaissance master Albrecht Dürer. The artwork depicts a juvenile owl in profile, rendered with meticulous anatomical detail characteristic of Dürer's natural history studies. The central subject features a palette of earthy browns, grays, and whites, with a distinctive blue-grey wash around the eyes. A notable marking is the prominent 'AD' monogram and the date '1508' located in the lower-left corner, which are hallmarks of Dürer's work. The print is housed behind glass in a dark wood frame with a double-layered aesthetic and a warm, ochre-toned mat that complements the earthy colors of the owl. Condition-wise, the print appears well-preserved within the frame, though there is visible glare on the glass surface and slight unevenness in the paper mounting. This piece exemplifies the Renaissance shift toward empirical observation and high-quality artistic realism. Given the framing style, this is likely a mid-to-late 20th-century museum-quality print or lithograph rather than a period original, which is currently held in the Albertina Museum in Vienna.
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