
Madonna of the Divine Love (After Raphael)
This item is an oil-on-canvas or oil-on-panel painting depicting the 'Madonna of the Divine Love', a composition originally attributed to the High Renaissance master Raphael. The scene features the Virgin Mary and Saint Elizabeth with the infant Jesus and Saint John the Baptist in a lush landscape setting. The figures are arranged in a classical pyramidal composition, with Saint Elizabeth on the left and the Madonna dominating the center-right. The color palette is composed of rich, traditional Renaissance hues including lapis-like blues, deep crimson, and earthy umbers. The painting is housed in a modern, tiered goldleaf-finish wooden frame with a beaded inner edge. Regarding condition, the surface exhibits significant darkening of the varnish, which has yellowed over time, obscuring some of the finer details in the background and drapery. There is visible craquelure across the surface consistent with an aged oil medium, particularly in the lighter flesh tones. No immediate signatures or maker's marks are visible on the front, suggesting it may be a 19th-century or early 20th-century academic copy or an older devotional work after the original masterpiece. The smooth blending of shadows (sfumato) and the soft anatomical rendering indicate a high level of technical skill in reproducing the original's aesthetic. However, the overall dimness of the work suggests it would benefit from professional conservation and cleaning.
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Estimated Value
$2,500 - $4,000
Basic Information
Category
Fine Art - Paintings
Appraised On
February 2, 2026
Estimated Value
$2,500 - $4,000
Item Description
This item is an oil-on-canvas or oil-on-panel painting depicting the 'Madonna of the Divine Love', a composition originally attributed to the High Renaissance master Raphael. The scene features the Virgin Mary and Saint Elizabeth with the infant Jesus and Saint John the Baptist in a lush landscape setting. The figures are arranged in a classical pyramidal composition, with Saint Elizabeth on the left and the Madonna dominating the center-right. The color palette is composed of rich, traditional Renaissance hues including lapis-like blues, deep crimson, and earthy umbers. The painting is housed in a modern, tiered goldleaf-finish wooden frame with a beaded inner edge. Regarding condition, the surface exhibits significant darkening of the varnish, which has yellowed over time, obscuring some of the finer details in the background and drapery. There is visible craquelure across the surface consistent with an aged oil medium, particularly in the lighter flesh tones. No immediate signatures or maker's marks are visible on the front, suggesting it may be a 19th-century or early 20th-century academic copy or an older devotional work after the original masterpiece. The smooth blending of shadows (sfumato) and the soft anatomical rendering indicate a high level of technical skill in reproducing the original's aesthetic. However, the overall dimness of the work suggests it would benefit from professional conservation and cleaning.
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