AI Appraisal Estimate

This is a limited edition serigraph (silkscreen print) by the American artist Ted Jeremenko, numbered 54/175. The artwork depicts a characteristic coastal scene in a folk-art or 'naive' style, featuring a row of blue New England-style saltbox houses and a lighthouse on a green bluff overlooking the water. In the foreground, a white-sailed boat with a small American flag navigates the water, set against a dark, moody night sky with a prominent full moon and a thin orange horizon line. The piece displays Jeremenko's signature precision, with sharp geometric lines, blocky architectural forms, and a stippled or cross-hatched texture in the water and sky. The print is professionally presented in a double-matted frame, with a grey/white inner border and a wide white outer mat. It is housed in a contemporary gold-toned wooden frame with a black outer edge. The condition appears excellent with no visible foxing, fading, or moisture damage to the paper. Based on the artist's career, this piece likely dates from the 1980s or 1990s. The limited edition numbering (54/175) is visible in the lower-left margin below the print field, which is hallmark for authentic Jeremenko prints known for their serene, atmospheric minimalism.

I have virtually examined this limited edition serigraph (54/175) by Ted Jeremenko. The piece exemplifies the artist’s 'naive' architectural style, characterized by clean geometric lines and a moody, nocturnal palette. Based on high-resolution visual inspection, the print appears to be in excellent condition; there is no evidence of acidic toning, foxing, or moisture-related undulations. The framing is contemporary and well-maintained, adding significant decorative value. Jeremenko’s market is currently stable, primarily supported by collectors of Americana and 20th-century folk art. Comparables for signed, low-edition count serigraphs of this size typically hammer between $300 and $550 at specialty auctions, with retail gallery prices reaching slightly higher. The specific subject matter—a lighthouse and coastal saltbox houses—is highly desirable among his collectors, which places this specific print at the higher end of his market range. While the signature and numbering appear consistent with known authentic examples, a definitive verification of authenticity is impossible through imagery alone. A physical inspection is required to confirm the paper's watermark, ensure the signature is hand-applied ink rather than a printed facsimile, and check for hidden damage under the matting. For a full authentication, I would recommend reviewing a Certificate of Authenticity (COA) or original gallery sales receipt to establish provenance. Scientific testing of the pigment binders would be overkill for this asset class, but a tactile inspection of the ink's 'lay' on the paper would confirm it is a true silkscreen/serigraph.