Memories of Yesterday Figurine: Mommy, I Teared It (115924)

This is the underside base of a Mabel Lucie Attwell 'Memories of Yesterday' porcelain figurine. The base is circular, crafted from smooth, matte-finished bisque porcelain in an off-white or cream tone. The center features a recessed circular aperture. The hallmark at the top displays the 'Memories of Yesterday' arched logo with two children silhouettes. Below this, the piece is titled 'MOMMY, I TEARED IT' in capital letters. Detailed manufacturing text states: '©1987 Lucie Attwell Ltd., Licensee Enesco Imports Corp., Made in Taiwan ROC'. The production number '115924' is printed at the bottom. The figurine is based on the iconic mid-20th-century illustrations of Mabel Lucie Attwell, known for her nostalgic depictions of childhood. The physical condition appears excellent with clean, legible factory markings and no visible cracks, chips, or heavy surface staining. The craftsmanship reflects the mass-market quality typical of late 1980s Enesco collectibles, manufactured in Taiwan. This specific series is highly collectible among enthusiasts of nostalgic British-style illustration and vintage giftware.

I have virtually examined the underside base of the 'Mommy, I Teared It' figurine (Item 115924) from the Memories of Yesterday collection. Based on the uniform application of the Enesco stamp, the correct font styles for the 1987 copyright, and the characteristic matte bisque finish, the piece appears to be an authentic production licensed by Lucie Attwell Ltd. The condition of the base is excellent, showing no shelf wear, chips, or hairline fractures, which suggests the figurine has been well-preserved. This specific model was part of a high-volume production run in the late 1980s by Enesco in Taiwan. Market demand for Enesco bisque figurines has softened significantly since its peak in the 1990s. Current secondary market trends show that common pieces from this collection frequently sell in the $15 to $25 range, depending on whether the original box and 'Certificate of Authenticity' are present. While the piece captures the charming nostalgia of Mabel Lucie Attwell’s illustrations, its mass-manufactured nature limits its rarity and investment potential. Limitations: This appraisal is based solely on digital imagery. A full authentication would require a physical 'tap test' to ensure internal structural integrity, a microscopic inspection of the glaze to detect professional restorations, and verification of the figurine's height and weight against factory specifications. For definitive valuation, provenance documentation or a contemporary retail receipt would be beneficial.