Botanical print featuring lady slipper orchids

This item is a botanical art print depicting a cluster of pink lady slipper orchids (Cypripedium acaule) amongst forest foliage, including trillium-style leaves and small white wildflowers. The work is executed in a delicate, illustrative style with fine attention to botanical detail, utilizing a palette of soft pinks, varied greens, and muted earth tones. The substrate appears to be a heavy white paper or cardstock. The lower margin contains handwritten notations in pencil which are consistent with a limited edition series: the lower left corner bears '114/1400'; the center is titled 'Pink Lady Slippers'; and the lower left also contains a signature that appears to read 'S. Milek'. The lower right is dated '1990' with a copyright symbol. The owner identifies this as a work by Sarah Milek, which is consistent with the visible signature and date, though these markings remain unverified as to authenticity without physical inspection. The technique appears to be a reproduction of a watercolor or gouache original, potentially an offset lithograph or similar high-quality print process. The edges of the paper show slight unevenness, and there is a visible vertical crease or fold along the far left margin, suggesting it may have been removed from a portfolio or book. The craftsmanship shows high-quality line work and color blending typical of late 20th-century botanical illustration.

Based on my examination of the provided images, this item appears to be a limited edition botanical print, numbered 114/1400. Per user submission, the work is attributed to Sarah Milek and dated 1990. While the piece bears a signature and date consistent with the artist’s known style and timeline, I cannot verify the signature as a handwritten autograph versus a printed facsimile from a photo alone; a physical inspection would be required to confirm the medium and the presence of live graphite. The print quality suggests an offset lithograph process typical of high-volume limited editions from the late 20th century. My valuation assumes the attribution is correct and that the signature is hand-applied. The market for contemporary botanical prints of this era remains stable but modest, with value driven primarily by the decorative appeal of the subject matter and the artist's reputation in specialized regional or botanical circles. The visible vertical crease on the left margin and the uneven edges suggest the piece may have been removed from a portfolio or previously handled without a frame, which negatively impacts the condition grade. For a definitive assessment, one would need to examine the paper’s weight and watermark, and verify the signature under magnification. If this is determined to be a common mass-reproduction without a hand-signature, or if the attribution to Milek is incorrect, the retail value would likely drop to a decorative range of $15.00 - $25.00. Verification would involve consulting with a gallery familiar with the artist’s catalogue raisonné or examining the provenance of the 1400-print run.