Bronze Portrait Bust of "Susan" by E.J. O'Connell

This is a cast bronze portrait bust of a woman titled 'Susan,' created by the artist E.J. O'Connell. The sculpture stands approximately 14 inches tall and possesses a significant weight of 24 lbs, suggesting a solid or thick-walled lost-wax casting. The bronze is finished with a classic medium-brown patina that highlights the play of light and shadow across the expressive facial features and the sweeping, textured hair. The subject is depicted looking slightly upward with a thoughtful expression, featuring deeply incised eyes and prominent collarbones that add a sense of realism and vulnerability. The craftsmanship is evident in the dynamic handling of the hair and the smooth, modeled surfaces of the face. It is mounted on a circular, stepped wooden plinth, likely walnut, which features an inset brass nameplate that identifies the piece as 'Susan' and includes the artist's name. Notably, this piece is marked as #1 of a limited edition of 25, which significantly enhances its desirability for collectors as the first pull from the mold. The condition appears excellent with a well-preserved patina, showing no signs of corrosion, oxidation, or structural damage. The style is contemporary realism, likely dating from the late 20th century to the early 21st century.

I have conducted a visual inspection of the bronze portrait bust 'Susan' by E.J. O'Connell. The work demonstrates high-level proficiency in contemporary realism, characterized by vigorous modeling and a sophisticated medium-brown patina. The 24-pound weight confirms a high-quality bronze casting, likely via the lost-wax process. As edition #1 of 25, this piece holds a premium position, as collectors value the first casting for its presumed fidelity to the artist's original wax model. The condition appears excellent with no visible bronze disease or structural degradation. Market demand for O'Connell's figurative bronze work remains stable within the secondary art market, particularly for intimate, expressive portraiture. The specific identification of the subject and the presence of the signed brass nameplate further bolster its marketability. However, final authentication is limited by the digital nature of this inspection. A definitive appraisal would require in-person examination to verify the foundry mark, scrutinize the casting seam quality, and confirm the patina’s chemical stability. Physical inspection would also verify the artist's signature incised in the bronze, which is often distinct from nameplates. I recommend the owner secure any original gallery receipts or certificates of authenticity from the sculptor to establish a clear provenance, which would maximize the potential resale value at auction.