
Mid-20th Century Mountain Lake Oil Landscape
This is a rectangular oil landscape painting, likely executed in the mid-20th century, following the stylistic conventions of the 'wet-on-wet' technique popularized by artists like Bill Alexander and Bob Ross. The composition features a prominent, snow-dusted jagged mountain peak in the background, set against a hazy blue sky. In the mid-ground, a calm turquoise lake reflects the light, flanked by thick coniferous and deciduous foliage in shades of olive, ochre, and deep green. The foreground showcases a rocky shoreline with small botanical accents applied with textured impasto brushwork. The painting is housed in a wide, beveled wooden frame with a medium honey-oak finish and a thin green-painted inner liner that complements the forest tones of the artwork. Regarding condition, the frame exhibits visible wear, including surface abrasions, scuffing on the corners, and several red and blue pigment marks on the lower edge, suggesting it has been handled or stored without protection. The canvas appears stable, though there is potential yellowing of the varnish consistent with age. This piece is typical of mass-market decor art or hobbyist work from the 1970s-1980s, characterized by quick, gestural fan-brush techniques for the trees and palette-knife applications for the mountain textures.
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Estimated Value
$40 - $85
Basic Information
Category
Fine Art - Painting
Appraised On
February 24, 2026
Estimated Value
$40 - $85
Item Description
This is a rectangular oil landscape painting, likely executed in the mid-20th century, following the stylistic conventions of the 'wet-on-wet' technique popularized by artists like Bill Alexander and Bob Ross. The composition features a prominent, snow-dusted jagged mountain peak in the background, set against a hazy blue sky. In the mid-ground, a calm turquoise lake reflects the light, flanked by thick coniferous and deciduous foliage in shades of olive, ochre, and deep green. The foreground showcases a rocky shoreline with small botanical accents applied with textured impasto brushwork. The painting is housed in a wide, beveled wooden frame with a medium honey-oak finish and a thin green-painted inner liner that complements the forest tones of the artwork. Regarding condition, the frame exhibits visible wear, including surface abrasions, scuffing on the corners, and several red and blue pigment marks on the lower edge, suggesting it has been handled or stored without protection. The canvas appears stable, though there is potential yellowing of the varnish consistent with age. This piece is typical of mass-market decor art or hobbyist work from the 1970s-1980s, characterized by quick, gestural fan-brush techniques for the trees and palette-knife applications for the mountain textures.
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