Hibiscus Botanical Lithograph by Carroll Sargent Tyson

This item is a limited edition botanical lithograph depicting a pink hibiscus, identified as a work by Carroll Sargent Tyson (1877–1956). The print features two large, light pink blossoms alongside multiple buds in various stages of maturity and several dark green leaves with visible veining. The artwork is executed in a delicate, realistic botanical style characteristic of early-to-mid 20th-century natural history illustration. The print is professionally framed in an elegant, stepped gold-gilt wood frame. It is presented behind glass with a sophisticated triple-matting arrangement, including an ornate floral-patterned border in shades of mauve and a thin burgundy interior accent line. Notable markings include a printed title 'Hibiscus' at the bottom center and a small block of descriptive text below it. The piece is hand-signed and numbered 83 of 1800, indicating its status as a collectible limited edition. The paper appears to be a high-quality heavyweight stock, showing consistent coloration with no obvious foxing or water damage, though light reflections on the glass suggest the surface remains well-preserved. This piece represents a high level of craftsmanship in both the original plate engraving and the subsequent lithographic reproduction, embodying a classic traditional aesthetic.

Based on my examination of the images provided, this is a limited edition offset lithograph reproduction of a botanical work by Carroll Sargent Tyson (1877–1956), specifically titled 'Hibiscus.' The print is numbered 83 of an edition of 1800. While Tyson is a listed American Impressionist known for his 'Birds of Mount Desert Island' series, this particular botanical piece appears to be a decorative reproduction rather than an original plate lithograph from the artist's lifetime. The large edition size (1800) strongly suggests a modern posthumous run, likely produced for the decorative art market rather than the fine art collector market. The item is presented in excellent decorative condition. The framing is of high quality, featuring a stepped gold-gilt wood frame and a sophisticated triple-matting with a French-style floral wash panel, which significantly adds to its display value. The paper appears clean, free of foxing or toning visible through the glass. From a market perspective, values for Tyson's work vary heavily between his original paintings ($10,000+) and mass-produced decorative prints. This piece falls firmly into the latter category. The value here is derived primarily from the high-quality framing package and its aesthetic appeal as traditional decor. Comparable decorative botanical prints in similar high-end framing typically sell at auction or consignment between $100 and $150, often costing much more to frame than the resale value of the print itself. As with any examination from digital images, I cannot definitively verify the printing method (e.g., offset vs. giclée) or inspect the paper's watermark without physical handling, though these factors would unlikely shift the value to a fine-art tier.