
Salvador Dalí, 'Rosa Spuria' from the 'Surrealist Flowers' (Flordali) Series
This is a color lithograph on paper attributed to the Spanish surrealist master Salvador Dalí, specifically from the 'Flordali' (Surrealist Flowers) series produced circa 1968-1970. The artwork features a central red flower rendered in vibrant pigments, which sprouts from a highly stylized, anthropomorphic root system typical of Dalí’s surrealist aesthetic. The roots transition into intricate, branch-like line work at the base. The composition is set against a neutral, off-white background. The print is housed in a simple modern dark frame which appears to be wood or composite. A signature is faintly visible in the lower right corner, consistent with Dalí’s pencil-signed lithographs of this era. Visible condition issues include noticeable overall yellowing of the paper (toning) and some minor undulation within the frame, suggesting it may not be mounted to archival standards. The piece exhibits the juxtaposition of botanical accuracy with dreamlike distortion, hallmark qualities of Dalí's late graphic works. Proper authentication would require an examination of paper watermarks (such as Arches or Rives) and edition numbering which is obscured in this view.
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Estimated Value
$1,500 - $2,500
Basic Information
Category
Fine Art - Prints & Multiples
Appraised On
February 11, 2026
Estimated Value
$1,500 - $2,500
Additional Details Provided By Owner
User Provided Information
lithographie de Dali
Item Description
This is a color lithograph on paper attributed to the Spanish surrealist master Salvador Dalí, specifically from the 'Flordali' (Surrealist Flowers) series produced circa 1968-1970. The artwork features a central red flower rendered in vibrant pigments, which sprouts from a highly stylized, anthropomorphic root system typical of Dalí’s surrealist aesthetic. The roots transition into intricate, branch-like line work at the base. The composition is set against a neutral, off-white background. The print is housed in a simple modern dark frame which appears to be wood or composite. A signature is faintly visible in the lower right corner, consistent with Dalí’s pencil-signed lithographs of this era. Visible condition issues include noticeable overall yellowing of the paper (toning) and some minor undulation within the frame, suggesting it may not be mounted to archival standards. The piece exhibits the juxtaposition of botanical accuracy with dreamlike distortion, hallmark qualities of Dalí's late graphic works. Proper authentication would require an examination of paper watermarks (such as Arches or Rives) and edition numbering which is obscured in this view.
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