Oil painting depicting a pronghorn

This is an unframed work in progress featuring a pronghorn set against a cloudy sky and grassy field. The painting is executed on a stretched canvas supported by a wooden easel, accompanied by artist's palettes and palette knives visible below. The pronghorn is rendered with naturalistic proportions, showcasing the characteristic curved horns, white facial markings, tan and brown coat, and a white rump patch. The background consists of loose, expressive brushstrokes in shades of pale blue, white, and muted mauve, creating a dynamic sky. The foreground shows patches of green and yellow vegetation rendered with short, textured strokes. There is no visible signature, date, or maker's mark anywhere on the visible surface of the canvas. The work appears to be in fresh, unfinished condition with some unpainted areas on the right side and along the lower edges. The overall aesthetic suggests a contemporary wildlife art study executed in oil paint.

Based on what I can see in the provided image, this unframed work in progress features a naturalistic oil painting of a pronghorn against a dynamic sky and grassy field. The execution displays competent handling of form and texture, though the unfinished nature of the canvas leaves several areas on the right side and lower edges unpainted. I cannot verify from a photo whether this study is by a recognized contemporary wildlife artist, as there is no visible signature, date, or maker's mark on the surface. Therefore, any attribution must be treated strictly as a working hypothesis. My value estimate of $300 to $500 assumes a baseline market interest for contemporary wildlife oil studies of this scale and quality. If physical inspection were to reveal a connection to a notable regional or national wildlife artist, the value could potentially rise. Conversely, if the piece proves to be a generic amateur study, an unsigned copy, or 'in the style of' decorative art, the value would likely be restricted to the decorative art range of $75 to $150, driven primarily by the cost of materials and general aesthetic appeal. Market demand for original wildlife art tends to be steady among regional collectors, but unfinished studies generally command a more modest price point than fully realized, framed masterworks. To better understand this piece, I would need physical inspection to confirm the medium's stability, canvas quality, and any hidden signatures along the tacking edges, alongside provenance documentation or an in-person expert appraisal.