Framed print signed 'Amelia Rose Smith'

This is a framed art print depicting a multi-story historic building located in Charleston, South Carolina, accompanied by a horse-drawn carriage in the foreground and framed by palm trees. The physical piece consists of a colored reproduction print mounted behind an off-white mat board with a thin gold-toned inner border, all housed within a simple metallic gold frame. The visible dimensions of the artwork within the mat opening appear to be rectangular, though exact measurements are unverified from the photo alone. Notable features include printed text located at the lower right corner of the image area that reads 'SOUTH BATTERY / CHARLESTON, SOUTH CAROLINA' in capital letters. At the lower left, beneath the image area on the white margin, there is a handwritten signature in pencil that appears to read 'Amelia Rose Smith'. The overall condition shows standard presentation framing with minor dust or reflection on the glass surface, but no explicit tears or water damage are apparent on the visible paper elements. The attribution in the item name rests directly on the legible handwritten signature at the lower left corner and the printed title text, though the nature of the print medium itself—whether an offset lithographic reproduction or other print type—remains unverified without closer physical inspection. The style is consistent with mid-to-late 20th-century souvenir or regional architectural prints.

Based on what I can see in the photograph, this framed print depicts a historic Charleston scene and bears a signature in pencil at the lower left reading 'Amelia Rose Smith' alongside printed title text. I can't verify from a photo alone whether the print medium is a standard offset lithograph or a more limited reproduction technique, nor can I evaluate the precise paper quality or framing materials without a physical inspection. Regional architectural prints of this nature, especially those depicting popular tourist destinations like Charleston, generally experience modest demand in the secondary decorative art market. The estimated value range of $100 to $200 assumes that the signature and attribution are correct, serving as a regional souvenir piece. However, because visible markings can be misleading and I cannot assert authenticity from an image, this value depends entirely on professional in-person authentication. If physical examination were to reveal that the piece is a mass-produced reproduction or a copy lacking direct connection to the artist, the value would likely decrease to the $25-$50 range, reflecting strictly its decorative framing utility. To confirm authorship and value more precisely, an in-person examination by a qualified paper conservator or art appraiser would be necessary.