Signed Mother and Child Etching by Edna Hibel

This artwork is a framed etching or lithograph on stone-colored paper featuring a mother tenderly holding a child, a signature subject of the renowned American artist Edna Hibel. The piece is executed in a delicate sanguine or sepia-toned ink, characterized by Hibel's distinctive fluid, rhythmic line work and soft, ethereal cross-hatching. The mother is depicted in profile with her hair in a long braid, wearing a patterned garment, while the child looks toward the viewer with rounded, expressive features. The composition measures approximately 12 by 16 inches within the mat, though total framed dimensions are larger. It is hand-signed in pencil at the bottom right as 'Hibel' and possesses an edition number or title inscription at the bottom left, though the specific numbering is obscured by the glass glare. The artwork is housed in a contemporary silver-toned metal or wood frame with a white bevel-cut mat. Regarding condition, the paper appears well-preserved with no immediate signs of foxing or water damage, though some light undulation is visible, suggesting it may not be dry-mounted. The style is mid-to-late 20th century, likely dating from the 1970s or 1980s. The craftsmanship displays high technical skill in figurative draughtsmanship, typical of the artist's sentimental and humanist aesthetic.

I have conducted a visual analysis of this original etching by Edna Hibel. The piece, depicting a mother and child, is a quintessential example of Hibel’s humanist aesthetic. The sanguine ink and fluid draughtsmanship are consistent with her 1970s-80s style. The signature appears consistent with known pencil-signed examples from the Hibel Studio. The condition appears ‘Very Good’; while light paper undulation is noted, this is often preferred over dry-mounting as it indicates the paper is breathing naturally. Market demand for Edna Hibel has cooled significantly from its peak in the late 20th century, resulting in a saturated secondary market. While her porcelain work has lost considerable value, her original etchings and lithographs maintain moderate interest among collectors of sentimental figurative art. Comparables for framed, limited-edition etchings of this size typically hammer at auction between $300 and $500, with retail gallery valuations slightly higher. The specific edition number, if low or part of a prestigious series like the 'Gold Series,' would sit at the higher end of the estimate. Limitations: This appraisal is based on photographic evidence only. A full authentication requires an in-person inspection to verify the paper's watermark and the presence of a plate mark (to distinguish an etching from a high-quality offset lithograph). I would also recommend inspecting the reverse for the artist's studio seal or a Certificate of Authenticity (COA) from the Hibel Museum or a reputable gallery. Scientific testing is not warranted given the current market value, but checking for acid burns from the matting would be necessary for a final condition report.