AI Appraisal Estimate

AI-generated estimates · not official valuations

From the user

What was submitted

Photo and notes provided by the user — not generated by AI

Submitted item photo
Submitted photo · June 13, 2026

User's notes

Acrylic paint on canvas panel 20”x24” dates to the late 1970’s by Palm Springs California established artist Tim Johnson this is one of his very early works and it goes unsigned however it was acquired with second piece same type seascape on canvas panel which is signed

AI analysis below

AI appraisal

AI analysis & estimate

AI-Generated · Verify before acting

Everything below is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

Note

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

Read the full disclaimer

AI Identification

·Not independently authenticated·Verify before acting

Seascape at Dusk by Tim Johnson

Fine Art - Paintings

AI Estimated Value

·Not an official valuation·Verify before acting

$450 - $650

As of June 13, 2026

AI Item Analysis

·AI can make mistakes·Verify before acting
This original seascape painting represents an early career work by the established Palm Springs, California artist Tim Johnson, dating to the late 1970s. Measuring 20” x 24”, the piece is executed in acrylic paint on a canvas panel. The composition features a dynamic, cresting wave crashing against a shore of dark, rugged rocks in the foreground. The palette relies heavily on cool tones, including deep ultramarine, cerulean blue, and lavender, contrasted against the bright white and pale green highlights of the foamy surf. The brushwork is expressive and impasto-heavy, capturing the chaotic movement of the water with rapid, diagonal strokes. Despite being unsigned, its provenance is established through its acquisition alongside a signed companion piece of the same style and subject matter. The physical condition appears consistent with its age, showing a slight matte finish typical of late 20th-century acrylics, with the canvas panel providing a rigid, stable support. The lack of a signature is common in early developmental studies or private collections, but the artist's emerging technical skill is evident in the light play across the whitecaps and the textural rendering of the damp rocks.

AI Appraisal Report

·AI can make mistakes·Verify before acting
Based on my examination of this seascape via high-resolution imagery, I have assessed its value within the context of Tim Johnson’s early output. The 20” x 24” acrylic on canvas panel displays a robust impasto technique and a sophisticated understanding of marine light. The condition appears stable; the late-1970s acrylic medium has retained its saturation, though the typical matte finish of the era is present. From a visual standpoint, the brushwork and treatment of the 'crashing surf' are consistent with Johnson’s established motifs in his Palm Springs and coastal works. The absence of a signature is a primary valuation factor. While the proximity to a signed companion piece provides strong anecdotal provenance, the market typically discounts unsigned works by 20–40%. However, as an 'early career' developmental study, its rarity may appeal to niche collectors of California regionalism. Comparables for Johnson’s mid-sized signed works generally range from $800 to $1,200; this piece is valued lower due to the attribution requirements. Important Limitation: This valuation is based solely on digital images and descriptive provenance. Authenticity cannot be definitively confirmed without physical inspection. To finalize a formal authentication, I would require an in-person examination of the pigment layers under UV light to verify the absence of later additions and a review of the companion piece's signature for stylistic parity. Scientific testing of the binder or further documentation of the initial acquisition would be necessary to elevate this from an 'attributed' status to a 'certified' work, which would significantly increase its liquidity in the fine art market.

Get your items appraised

Instant estimates of your treasures with AI-powered appraisals

Browse More Appraisals