Framed Great White Egret Lithograph by Barton-Cotton
Fine Art Prints

Framed Great White Egret Lithograph by Barton-Cotton

This item is a large-format framed offset lithograph featuring a Great White Egret in a preening pose. The artwork utilizes a soft, ethereal color palette dominated by whites, pale blues, and subtle greys, creating a misty or atmospheric background. The bird is depicted with significant detail in the feathers, showing a high level of technical draftsmanship. The piece is housed in a contemporary thin-profile polished gold-toned metal frame, likely aluminum. It features a wide neutral-toned paper mat that shows some signs of age-related yellowing or foxing along the edges. The glass covers the entirety of the print, though reflections indicate it is standard plate glass rather than non-reflective museum glass. In the lower right corner, there is a visible publisher mark for Barton-Cotton, Inc., a well-known printer of wildlife and religious art active in the latter half of the 20th century. Based on the framing style and the printing company, this piece likely dates from the 1970s to the 1980s. The overall condition appears fair to good, with some visible rippling in the paper substrate and minor scuffs on the metal frame consistent with residential use. No artist signature is clearly legible at this resolution, though the composition is characteristic of commercial wildlife illustrators of that era.

Estimated Value

$45.00 - $85.00

Basic Information

Category

Fine Art Prints

Appraised On

March 6, 2026

Estimated Value

$45.00 - $85.00

Item Description

This item is a large-format framed offset lithograph featuring a Great White Egret in a preening pose. The artwork utilizes a soft, ethereal color palette dominated by whites, pale blues, and subtle greys, creating a misty or atmospheric background. The bird is depicted with significant detail in the feathers, showing a high level of technical draftsmanship. The piece is housed in a contemporary thin-profile polished gold-toned metal frame, likely aluminum. It features a wide neutral-toned paper mat that shows some signs of age-related yellowing or foxing along the edges. The glass covers the entirety of the print, though reflections indicate it is standard plate glass rather than non-reflective museum glass. In the lower right corner, there is a visible publisher mark for Barton-Cotton, Inc., a well-known printer of wildlife and religious art active in the latter half of the 20th century. Based on the framing style and the printing company, this piece likely dates from the 1970s to the 1980s. The overall condition appears fair to good, with some visible rippling in the paper substrate and minor scuffs on the metal frame consistent with residential use. No artist signature is clearly legible at this resolution, though the composition is characteristic of commercial wildlife illustrators of that era.

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